“[M]an has always harbored the desire to rewrite his own biography, to change the past, to wipe out tracks, both his own and other's. (p.130)”

“The only reason people want to be masters of the future is to change the past. They are fighting for access to the laboratories where photographs are retouched and biographies and histories rewritten.”

“Speed is the form of ecstasy the technical revolution has bestowed on man. As opposed to a motorcyclist, the runner is always present in his body, forever required to think about his blisters, his exhaustion; when he runs he feels his weight, his age, more conscious than ever of himself and of his time of life. This all changes when man delegates the faculty of speed to a machine: from then on, his own body is outside the process, and he gives over to a speed that is noncorporeal, nonmaterial, pure speed, speed itself, ecstasy speed.”

“When his wife was at his side, she was also in front of him, marking out the horizon of his life. Now the horizon is empty: the view has changed.”

“Just as someone in pain is linked by his groans to the present moment (and is entirely outside past and future), so someone bursting out in such ecstatic laughter is without memory and desire, for he is emitting his shout into the world's present moment and wishes to know only that.”

“She pictures his jovial figure, dressed up in his T-short, shouting that Kafka was born in Prague, and she feels a desire rising through her body, the irrepressible desire to take a lover. Not to patch up her life as it is. But to turn it completely upside down. Finally take possession of her own fate.”

“His connection to his life was that of a sculptor to his statue or a novelist to his novel. It is an inviolable right of a novelist to rework his novel. If the opening does not please him, he can rewrite or delete it. But Zdena's existence denied Mirek that author's prerogative. Zdena insisted on remaining on the opening pages of the novel and did not let herself be crossed out.”