“To where," added Leroy, "resides the answer to your question: why are we living? what is essential in life?" He looked hard at the lady. "The essential, in life, is to perpetuate life: it is childbirth, and what precedes it, coitus, and what precedes coitus, seduction, that is to say kisses, hair floating in the wind, silk underwear, well-cut brassieres, and everything else that makes people ready for coitus, for instance good chow - not fine cuisine, a superfluous thing no one appreciates anymore, but the chow everyone buys - and along with chow, defecation, because you know, my dear lady, my beautiful adored lady, you know what an important position the praise of toilet paper and diapers occupies in our profession. Toilet paper, diapers, detergents, chow. That is man's sacred circle, and our mission is not only to discover it, seize it, and map it but to make it beautiful, to transform it into song. Thanks to our influence, toilet paper is almost exclusively pink, and that is a highly edifying fact, which, my dear and anxious lady, I would recommend that you contemplate seriously.”
“Ah, ladies and gentlemen, a man lives a sad life when he cannot take anything or anyone seriously.”
“We can never know what we want, because, living only one life, we can neither compare it with our previous lives nor perfect it in our lives to come. [...] And what can life be worth if the first rehearsal for life is life itself? That is why life is always like a sketch. No, 'sketch' is not quite the word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch for nothing, an outline with no picture.”
“He remained annoyed with himself until he realized that not knowing what he wanted was actually quite natural. We can never know what to want, because, living only one life, we can never compare it with our previous lives nor perfect it in our lives to come.”
“We can never know what to want, because, living only one life, we can neither compare it with our previous lives nor perfect it in our lives to come.”
“We will never cease our critique of those persons who distort the past, rewrite it, falsify it, who exaggerate the importance of one event and fail to mention some other; such a critique is proper (it cannot fail to be), but it doesn't count for much unless a more basic critique precedes it: a critique of human memory as such. For after all, what can memory actually do, the poor thing? It is only capable of retaining a paltry little scrap of the past, and no one knows why just this scrap and not some other one, since in each of us the choice occurs mysteriously, outside our will or our interests. We won't understand a thing about human life if we persist in avoiding the most obvious fact: that a reality no longer is what it was when it was; it cannot be reconstructed. Even the most voluminous archives cannot help.”
“Man can only be certain about the present moment. But is that quite true either? Can he really know the present? Is he in a position to make any judgment about it? Certainly not. For how can a person with no knowledge of the future understand the meaning of the present? If we do not know what future the present is leading us toward, how can we say whether this present is good or bad, whether it deserves our concurrence, or our suspicion, or our hatred?”