“One of the most brilliant Russian writers of the twentieth century, Yevgeny Zamyatin belongs to the tradition in Russian literature represented by Gogol, Leskov, Bely, Remizov, and, in certain aspects of their work, also by Babel and Bulgakov. It is a tradition, paradoxically, of experimenters and innovators. Perhaps the principal quality that unites them is their approach to reality and its uses in art - the refusal to be bound by literal fact, the interweaving of reality and fantasy, the transmutation of fact into poetry, often grotesque, oblique, playful, but always expressive of the writer's unique vision of life in his own, unique terms.”

“I know about an actual murder over a watch, it's in all the newspapers now. If a writer had invented it, the critics and connoisseurs of popular life would have shouted at once that it was incredible; but reading it in the newspapers as a fact, you feel that it is precisely from such facts that you learn about Russian reality.”

“Good writers define reality; bad ones merely restate it. A good writer turns fact into truth; a bad writer will, more often than not, accomplish the opposite.”

“Age certainly hadn't conferred any smarts on me. Character maybe, but mediocrity is a constant, as one Russian writer put it. Russian writers have a way with aphorisms. They probably spend all winter thinking them up.”

“The reality of a serious writer is a reality of many voices, some of them belonging to the writer, some of them belonging to the world of readers at large.”

“Is there just one single love in a lifetime? Are all our lovers ― from the first to the last, including the most fleeting ― part of that unique love, and is each of them merely an expression of it, a variation, a particular version? In the same way that in literature there is just one true masterpiece to which different writers give a particular form (taking the twentieth century alone: Joyce, who explores everything happening inside his character;s head with microscopic precision; Proust, for whom the present is merely a memory of the past; Kafka, who drifts on the margins between dream and reality; the blind Borges, probably the one I relate to best, etc).”