“I paint to rest from the phenomena of the external world - to pronounce it -- and to make notations of its essences with which to verify the inner eye.”

“A belief in the validity of the acquisition of knowledge and a scientific understanding of the world we live in, the creation and appreciation of aesthetic phenomena in all their many forms, and the broadening and deepening of our range of experiences in day-to-day living, is rapidly becoming the 'religion' of our time.”

“I would be annoyed if I were any more in tune with modern sensibilities. I was shaped differently. The world in which I grew up was Texan and Southern, and it had many, many failings. I think I've gotten rid of most of the bad things in myself from that earlier age, but I don't adjust to the way things are progressing now.”

“PMS? You're damned right I have PMS! It stands for Pass My Shotgun, which means you'd better sleep with one eye open, buster.”

“Poetry began in the matriarchal age, and derives its magic from the moon, not from the sun. No poet can hope to understand the nature of poetry unless he has had a vision of the Naked King crucified to the lopped oak, and watched the dancers, red-eyed from the acrid smoke of the sacrificial fires, stamping out the measure of the dance, their bodies bent uncouthly forward, with a monotonous chant of "Kill! kill! kill!" and "Blood! blood! blood!”

“And it was to this city, whenever I went home, that I always knew I must return, for it was mistress of one's wildest hopes, protector of one's deepest privacies. It was half insane with its noise, violence, and decay, but it gave one the tender security of fulfillment. On winter afternoons, from my office, there were sunsets across Manhattan when the smog itself shimmered and glowed… Despite its difficulties, which become more obvious all the time, one was constantly put to the test by this city, which finally came down to its people; no other place in America had quite such people and they would not allow you to go stale; in the end they were its triumph and its reward.”

“OctoberO love, turn from the changing sea and gaze,Down these grey slopes, upon the year grown old,A-dying 'mid the autumn-scented hazeThat hangeth o'er the hollow in the wold,Where the wind-bitten ancient elms infoldGrey church, long barn, orchard, and red-roofed stead,Wrought in dead days for men a long while dead.Come down, O love; may not our hands still meet,Since still we live today, forgetting June,Forgetting May, deeming October sweet? - - Oh, hearken! hearken! through the afternoonThe grey tower sings a strange old tinkling tune!Sweet, sweet, and sad, the toiling year's last breath,To satiate of life, to strive with death.And we too -will it not be soft and kind,That rest from life, from patience, and from pain,That rest from bliss we know not when we find,That rest from love which ne'er the end can gain?- Hark! how the tune swells, that erewhile did wane!Look up, love! -Ah! cling close, and never move!How can I have enough of life and love?”