“It sometimes strikes me that there is only one taboo left in young adult literature. By and large, no one complains any more when we write about drugs or sex. We can write about masturbation; terminal illness; the horrors of war; illegal organ transplants; matricide; the chilly delights of necrophilia; scenes of locker-room bukkake – none of this raises an eyebrow. No, the one thing which still causes people pause – the final hurdle – the last frontier – the one element which still gets a few adult readers up in arms about whether a book is appropriate for kids – is intelligence. Some adults still balk at the assumption that our readers, the teenagers of this country, are smart, and curious, and get a kick out of knowing things. One of the great things about writing YA today is that this is changing.”

“...why is it that, in creative writing courses today, the very first thing we teach students is write what you know? Perhaps that's not the right way to start at all. Imaginative literature is not necessarily about writing who we are or what we know or what our identity is about. We should teach young people and ourselves to expand our hearts and write what we can feel. We should get out of our cultural ghetto and go visit the next one and the next.”

“…the primary trait of young adult literature is that the author’s emphasis is on plot and character and not on his own brilliance. And because few people talk about whether a young adult work is commercial or literary; the two are still in sync, and everyone’s benefitting.”

“I am trying to come up with some "adult" reads, but I mostly read young adult fiction (my job), which, by the way is excellent. I will post about some of my favorites that should appeal to adult readers”

“One of the convenient things about literature is that, despite copyrights [...] a book belongs to the reader as well as to the writer.”

“We had all opted to take City's financial reporting course work, which, in theory, meant we wanted to write about stock prices and corporate takeovers. That, of course, was a joke. No one still in their twenties, and broke, goes into journalism to write about money—a subject in which they still have zero practical experience.”