“The world know it not; but you, Autumn, I confess it: your wind at night-fall stabs deep into my heart”
“So much for their looks; but their characters - that is a much more difficult matter. We all have our quirks and no one is ever all bad. Then again, it is not possible for everyone to be all things all of the time: attractive, restrained, intelligent, tasteful and trustworthy. We are all different and it is often difficult to know on which aspect to dwell.”
“We are not told of things that happened to specific people exactly as they happened; but the beginning is when there are good things and bad things, things that happen in this life which one never tires of seeing and hearing about, things which one cannot bear not to tell of and must pass on for all generations. If the storyteller wishes to speak well, then he chooses the good things; and if he wishes to hold the reader’s attention he chooses bad things, extraordinarily bad things. Good things and bad things alike, they are things of this world and no other.Writers in other countries approach the matter differently. Old stories in our own are different from new. There are differences in the degree of seriousness. But to dismiss them as lies is itself to depart from the truth. Even in the writ which the Buddha drew from his noble heart are parables, devices for pointing obliquely at the truth. To the ignorant they may seem to operate at cross purposes. The Greater Vehicle is full of them, but the general burden is always the same. The difference between enlightenment and confusion is of about the same order as the difference between the good and the bad in a romance. If one takes the generous view, then nothing is empty and useless.”
“The wood-carver can fashion whatever he will. Yet his products are but toys of the moment, to be glanced at in jest, not fashioned according to any precept or law. When times change, the carver too will change his style and make new trifles to hit the fancy of the passing day. But there is another kind of artist, who sets more soberly about his work, striving to give real beauty to the things which men actually use and to give to them the shape which tradition has ordained. This maker of real things must not for a moment be confused with the maker of idle toys.”
“No penance can your hard heart find save such as you long since have taught me to endure”
“How much the more in judging of the human heart should we distrust all fashionable airs and graces, all tricks and smartness, learnt only to please the outward gaze”