“Public concern for the environment cannot be addressed by placing the blame on growth without spelling out the causes of growth. Nor can an explanation be exhausted by citing “consumerism” while ignoring the sinister role played by rival producers in shaping public taste and guiding public purchasing power. Aside from the costs involved, most people quite rightly do not want to “live simply.” They do not want to diminish their freedom to travel or their access to culture, or to scale down needs that often serve to enrich human personality and sensitivity.”

“Art serves to confront that which is outside order, to give form to the obscene. In the process, it opens it to transformations that can not only make it safe for public consumption, not a powerful vehicle through which to address the public imagination.”

“I have a recurring fantasy that one more article has been added to the Bill of Rights: the right to free access to imagination. I have come to believe that genuine democracy cannot exist without the freedom to imagine and the right to use imaginative works without any restrictions. To have a whole life, one must have the possibility of publicly shaping and expressing private worlds, dreams, thoughts and desires, of constantly having access to a dialogue between the public and private worlds. How else do we know that we have existed, felt, desired, hated, feared?”

“Rome tolerated every abominable practice, embraced every foul idea in the name of freedom and the rights of the common man. Citizens no longer carried on deviant behavior in private, but pridefully displayed it in public. It was those with moral values who could no longer freely walk in a public park without having to witness a revolting display.What happened to the public censors who protected the majority of citizenry from moral decadence? Did freedom have to mean abolishing common decency? Did freedom mean anyone could do anything they wanted anytime they wanted, without consequences?”

“While there are certainly informational spillovers as ideas move from person to person, it is hard to see why in most instances they are not priced. Although it is possible to imagine examples such as the wheelbarrow where an idea cannot be used without revealing the secret, relatively few ideas are of this type. For copyrightable creations such as books, music, plays, movies and art, unpriced spillovers obviously play little role. A book, a CD or a work of art must be purchased before it can be used, and the creator is free to make use of his creation in the privacy of his home without revealing the secret to the public at large. Similarly with movies or plays. In all cases, the creation must effectively be purchased before the “secret” is revealed.”

“One cannot fail to notice the inconsistency of those rejecting human rights: their rejection takes place in the public square created by human rights. It is difficult to reject human rights without using them.”