“At this time on a weekday morning, the library was refuge to the retired, the unemployed, and the unemployable. ... 'I'm not always this gabby,' the librarian said. 'It's just so nice to talk to someone who isn't constructing a conspiracy theory or watching videos of home accidents on YouTube.”
“The two bond over their mutual lack of family ties: Saul from his disownment, Miriam from the car accident that orphaned her as a college junior. Both want children. Miriam has inherited her parents' idea of procreative legitimacy, wants to compensate for her only-child-dom. She sees in Saul the househusband who will enable her parental ambitions without disabling her autonomy. In Miriam, Saul sees the means to a book-lined study and a lifestyle conducive to mystical advancement. They are both absolutely certain these things equal love.”
“The day's dashed hopes had temporarily reduced her to the childish presumption that someone she loved should, in return for that love, be able to read her mind.”
“They WERE walking alongside the road, they WERE hit by a car, and now they ARE dead. It doesn't work. Are is present tense. Dead is -- well, dead is past, isn't it? Present tense modifying past; being modifying non-being. Language, in this instance" -- and here Miriam makes a garbled noise in her throat-- "fails.”
“As much as I admire and value intellectualism and experimentation, I've discovered that unless a book has a throbbing heart as well as a sexy brain, I feel like the story is a specimen in a sealed glass jar and not a living, breathing creature I want to take by the hand and talk to for hours on end.”
“Creation takes place through words, a series of 'And God Saids' bringing each new stage of life into being. Language is God's divine power made manifest in the world.”
“Having already funneled its students to their respective classrooms, the school's front hall was empty, its glass showcase in the same neglected spot outside the front office. ... She looked at it briefly, her eyes sweeping over the faces of students whose adult trajectories would lead them either to gloss over these moments or to spend their lives pining for their return.”