“However," he continued when she remained silent, her throat a knot of emotion, "it seems Montgomery could not help himself when it came to this vase. I'm afraid he has a weakness for beautiful things and has been known to relocate an item if he feels it is not being accorded the proper appreciation. Once he 'relocated' an ancient sculpture from the home of another archangel.”

“Vishous screamed.The only thing that was louder was the pop as the hip was relocated, as it were. And the last thing he saw before he checked out of the Conscious Inn & Suites was Jane's head whipping around in a panic. In her eyes was stark terror, as if the single worst thing that she could imagine was him in agony...And that was when he knew that he still loved her.”

“He came to be very glad that he had known her, and that she had had a hand in breaking him in to life. He has known pretty women and clever ones since then,-- but never one like her, as she was in her best days. Her eyes, when they laughed for a moment into one`s own, seemed to promise a wild delight that he has not found in life. "I know where it is," they seemed to say, "I could show you!”

“The only feeling that a closer intimacy has created in him for his wife is that of indulgent contempt. As there is no equality between man and woman, so there can be no respect. She is a different being. He must either look up to her as superior to himself, or down upon her as inferior. When a man does the former he is more or less in love, and love to John Ingerfield is an unknown emotion. Her beauty, her charm, her social tact--even while he makes use of them for his own purposes, he despises as the weapons of a weak nature.”

“He cannot endure Rachel, because he knows she has a proper appreciation of him.”

“Still, he's Emory. He doesn't have to walk her home, especially considering how snitty she was to him. He didn't have to come in and stop her cruelty to Fay, or watch over her as he has evidently been continuing to do, drawing those pictures on the Reeses' sidewalk. She knew the pictures were for her and her children. She and Emory did not always spell things out, but she knew, when he drew pictures, what they meant.”