“She knocked a third time, three regular strokes, gentle, but perfectly distinct, and with meaning in them; for, modulate it with what cautious art we will, the hand cannot help playing some tune of what we feel , upon the senseless wood.”

“Laughter, when out of place, mistimed, or bursting forth from a disordered state of feeling, may be the most terrible modulation of the human voice.”

“We have yet to learn again the forgotten art of gayety.”

“Among many morals which press upon us from the poor minister's miserable experience, we put only this into sentence: Be True! Be True! Be True! Show freely to the world if not the worst, yet some trait whereby the worst can be inferred.”

“We must not always talk in the marketplace of what happens to us in the forest.”

“What a strange, sad man is he!" said the child, as if speaking partly to herself. "In the dark night-time, he calls us to him, and holds thy hand and mine, as when we stood with him on the scaffold yonder! And in the deep forest, where only the old trees can hear, and the strip of sky see it, he talks with thee, sitting on a heap of moss! And he kisses my forehead, too, that the little brook would hardly wash it off! But here in the sunny day, and among all the people, he knows us not; nor must we know him! A strange, sad man is he, with is hand always over his heart!”

“She wanted—what some people want throughout life—a grief that should deeply touch her, and thus humanize and make her capable of sympathy.”