“...he liked his transcendence out in plain sight where he could keep an eye on it -- say, in a nice stained-glass window -- not woven through the fabric of life like gold threads through a brocade.”

“He was like a shattered stained-glass window: something beautiful that's broken; a million colours fallen on the ground where no light can get through.”

“She couldn't see him, but his voice was like light through a stained-glass window in a cathedral.”

“He loved her eyes. They were always changing, and Lucas liked to catalogue all their different colors in his mind. When she laughed, her eyes were pale amber, like honey sitting in a glass jar on a sunny window. When he kissed her, they darkened until they were the rich color of mahogany leather, but with strips of red and gold thread shot through. Right now they were turning dark—inviting him to lower his lips to hers.”

“...the book typographer's job was building a window between the reader inside a room and that landscape which is the author's words. He may put up a stained glass window of marvelous beauty, but a failure as a window; that is he may use some rich superb type like text gothic that is something to be look at, not through.”

“Doubt is like dye. Once it spread into the fabric of excuses you've woven, you'll never get rid of the stain.”