“And life is a good thing for a writer. It's where we get our raw material, for a start. We quite like to stop and watch it.”

“Writers - we're much more comfortable at parties standing in the corner watching everybody else having a good time than we are mingling.”

“In a world where people die every day, I think the important thing to remember is that for each moment of sorrow we get when people leave this world there's a corresponding moment of joy when a new baby comes into this world. That first wail is-well, it's magic, isn't it? Perhaps it's a hard thing to say, but joy and sorrow are like milk and cookies. That's how well they go together. I think we should all take a moment to meditate on that.”

“I don't think immediate tragedy is a very good source of art. It can be, but too often it's raw and painful and un-dealt-with. Sometimes art can be a really good escape from the intolerable, and a good place to go when things are bad, but that doesn't mean you have to write directly about the bad thing; sometimes you need to let time pass, and allow the thing that hurts to get covered with layers, and then you take it out, like a pearl, and you make art out of it.When my father died, on the plane from his funeral in the UK back to New York, still in shock, I got out my notebook and wrote a script. It was a good place to go, the place that script was, and I went there so deeply and so far that when we landed Maddy had to tap me on the arm to remind me that I had to get off the plane now. (She says I looked up at her, puzzled, and said "But I want to find out what happens next.") It was where I went and what I did to cope, and I was amazed, some weeks later when I pulled out that notebook to start typing, to find that I'd written pretty much the entire script in that six hour journey.”

“The irritating question they ask us -- us being writers -- is: "Where do you get your ideas?"And the answer is: Confluence. Things come together. The right ingredients and suddenly: Abracadabra!”

“You get ideas all the time. The only difference between writers and other people is we notice when we're doing it.”

“In my experience, writers tend to be really good at the inside of their own heads and imaginary people, and a lot less good at the stuff going on outside, which means that quite often if you flirt with us we will completely fail to notice, leaving everybody involved slightly uncomfortable and more than slightly unlaid.So I would suggest that any attempted seduction of a writer would probably go a great deal easier for all parties if you sent them a cheerful note saying "YOU ARE INVITED TO A SEDUCTION: Please come to dinner on Friday Night, Wear the kind of clothes you would like to be seduced in."And alcohol may help, too. Or kissing. Many writers figure out that they're being seduced or flirted with if someone is actually kissing them.”