“You think wars get started because some duke gets shot, or someone cuts off one’s ear, or someone’s sited their missiles in the wrong place. It’s not like that. That’s just well, just reasons, which haven’t got anything to do with it. What really causes wars is two sides that can’t stand the sight of one another and the pressure builds up and up and then anything will cause it. Anything at all.”

“You have to resign yourself to the fact that you waste a lot of trees before you write anything you really like, and that's just the way it is. It's like learning an instrument, you've got to be prepared for hitting wrong notes occasionally, or quite a lot, cause I wrote an awful lot before I wrote anything I was really happy with. And read a lot. Reading really helps. Read anything you can get your hands on.”

“If you have the ability and the opportunity to help someone, but you don't do anything just because you're scared or it's inconvenient or something, then maybe you're just as bad as the people who caused the trouble in the first place.”

“Just like with love. It's all or nothing. ... That's why love is dangerous. We stand up for love. We take risks. Well, you of all people know about that - your own Soviet Russia, an entire nation rearranged to discourage love for anything other than one's country.' Because love caused people to think for themselves, to look out for themselves and their loved ones.”

“People don’t really want to know anything about you. They just want to put you into their little preordained slots. They decide what you are in the first two seconds, and they only get nervous or upset if you don’t live up to their snap judgements. That’s the only way the normal world’s like the Real – it all depends on who people think you are. Figure that out, play to what they expect, and it’s clear sailing.”

“I suppose there hasn’t been a single month since the war, in any trade you care to name, in which there weren’t more men than jobs. It’s brought a peculiar, ghastly feeling into life. It’s like on a sinking ship when there are nineteen survivors and fourteen lifebelts. But is there anything particularly modern in that, you say? Has it anything to do with the war? Well, it feels as if it had. The feeling that you’ve got to be everlastingly fighting and hustling, that you’ll never get anything unless you grab it from somebody else, that there’s always somebody after your job, that next month or the month after they’ll be reducing staff and it’s you that’ll get the bird – that, I swear, didn’t exist in the old life before the war.”