“Do you know why I stopped being Delight, my brother? I do. There are things not in your book. There are paths outside this garden.”

“How old are you?" said the girl. "What are you doing here? Do you live here? What's your name?" "I don't know," said Bod. "You don't know your name?" said the girl. "Course you do. Everybody knows their own name. Fibber." "I know my name," said Bod. "And I know what I'm doing here. But I don't know the other things you said.”

“When the web started, I used to get really grumpy with people because they put my poems up. They put my stories up. They put my stuff up on the web. I had this belief, which was completely erroneous, that if people put your stuff up on the web and you didn’t tell them to take it down, you would lose your copyright, which actually, is simply not true.And I also got very grumpy because I felt like they were pirating my stuff, that it was bad. And then I started to notice that two things seemed much more significant. One of which was… places where I was being pirated, particularly Russia where people were translating my stuff into Russian and spreading around into the world, I was selling more and more books. People were discovering me through being pirated. Then they were going out and buying the real books, and when a new book would come out in Russia, it would sell more and more copies. I thought this was fascinating, and I tried a few experiments. Some of them are quite hard, you know, persuading my publisher for example to take one of my books and put it out for free. We took “American Gods,” a book that was still selling and selling very well, and for a month they put it up completely free on their website. You could read it and you could download it. What happened was sales of my books, through independent bookstores, because that’s all we were measuring it through, went up the following month three hundred percent.I started to realize that actually, you’re not losing books. You’re not losing sales by having stuff out there. When I give a big talk now on these kinds of subjects and people say, “Well, what about the sales that I’m losing through having stuff copied, through having stuff floating out there?” I started asking audiences to just raise their hands for one question. Which is, I’d say, “Okay, do you have a favorite author?” They’d say, “Yes.” and I’d say, “Good. What I want is for everybody who discovered their favorite author by being lent a book, put up your hands.” And then, “Anybody who discovered your favorite author by walking into a bookstore and buying a book raise your hands.” And it’s probably about five, ten percent of the people who actually discovered an author who’s their favorite author, who is the person who they buy everything of. They buy the hardbacks and they treasure the fact that they got this author. Very few of them bought the book. They were lent it. They were given it. They did not pay for it, and that’s how they found their favorite author. And I thought, “You know, that’s really all this is. It’s people lending books. And you can’t look on that as a loss of sale. It’s not a lost sale, nobody who would have bought your book is not buying it because they can find it for free.”What you’re actually doing is advertising. You’re reaching more people, you’re raising awareness. Understanding that gave me a whole new idea of the shape of copyright and of what the web was doing. Because the biggest thing the web is doing is allowing people to hear things. Allowing people to read things. Allowing people to see things that they would never have otherwise seen. And I think, basically, that’s an incredibly good thing.”

“I hope that in this year to come, you make mistakes.Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You're doing things you've never done before, and more importantly, you're Doing Something.So that's my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody's ever made before. Don't freeze, don't stop, don't worry that it isn't good enough, or it isn't perfect, whatever it is: art, or love, or work or family or life.Whatever it is you're scared of doing, Do it.Make your mistakes, next year and forever.”

“There," she said, waving her hands at the corridor. The expression of delight on her face was a very bad thing to see."You're wrong! You don't know where your parents are, do you?" she turned and looked at Coraline. "Now," she said, "you're going to stay here for ever and always.”

“I am not in my gallery and neither do I hold your sigil. Will you speak to me?”

“Nothing you do in the White House matters. You know why not? Because as far as the mass of voting morons is concerned, while you're in office, you'll still be the worst single president they've ever had until you stop. Then it's some other poor bastard's turn. And even that doesn't matter, because ten, twenty years later, they'll look back on you, and wonder why they didn't appreciate you when they had you...You don't get to make a difference. You don't get to do jack shit. You know what you get?...You get an entry in the history book, and every 15 minutes, every day at Disneyworld, an animatronic puppet wearing your face will wave or nod when the spotlight hits it.”