“He wondered reflectively what would happen if you asked a nun where the Gents was. Probably the Pope sent you a sharp note or something.”

“He wondered whether home was a thing that happened to a place after a while, or if it was something that you found in the end, if you simply walked and waited and willed it long enough.”

“In my experience, writers tend to be really good at the inside of their own heads and imaginary people, and a lot less good at the stuff going on outside, which means that quite often if you flirt with us we will completely fail to notice, leaving everybody involved slightly uncomfortable and more than slightly unlaid.So I would suggest that any attempted seduction of a writer would probably go a great deal easier for all parties if you sent them a cheerful note saying "YOU ARE INVITED TO A SEDUCTION: Please come to dinner on Friday Night, Wear the kind of clothes you would like to be seduced in."And alcohol may help, too. Or kissing. Many writers figure out that they're being seduced or flirted with if someone is actually kissing them.”

“Well," he said, "f’r example, if they ask where you’ve come from, you could say ‘Behind me,’and if they asked where you’re going, you’d say ‘In front of me.”

“The voice came from the night all around him, in his head and out of it."What do you want?' it repeated.He wondered if he dared to turn and look, realised he did not.'Well? You come here every night, in a place where the living are not welcome. I have seen you.Why?''I wanted to meet you,' he said, without looking around. 'I want to live for ever.' His voice crackedas he said it.He had stepped over the precipice. There was no going back. In his imagination, he could alreadyfeel the prick of needle-sharp fangs in his neck, a sharp prelude to eternal life.The sound began. It was low and sad, like the rushing of an underground river. It took him severallong seconds to recognise it as laughter.'This is not life,' said the voice.It said nothing more, and after a while the young man knew he was alone in the graveyard.”

“Fat Charlie wondered what Rosie's mother would usually hear in a church. Probably just cries of "Back! Foul best of Hell!" followed by gasps of "Is it alive?" and a nervous inquiry as to whether anybody had remembered to bring the stakes and hammers.”

“Shadow looked down at the girl on the table. “What happened to her?” he asked. “Poor taste in boyfriends,” said Jacquel. “It’s not always fatal.”