“I want to go home. Then he mentally underlined the last sentence three times, rewrote it in huge letters in red ink, and circled it before putting a number of exclamation marks next to it in his mental margin.”

“I quarreled with every word, every phrase and expression, every image and letter as if they were the last I was ever going to write. I wrote and rewrote every line as if my life depended on it, and then rewrote it again.”

“There's an exclamation mark on this keyboard which shares tab-space with the number one. Shift+1=! It's insufficient. Radically inadequate as the denotation of my surprise. Even in bold. Even in underlined bold italic. I need something else, some punctuation mark not yet invented.”

“When asked about rewriting, Ernest Hemingway said that he rewrote the ending to A Farewell to Arms thirty-nine times before he was satisfied. Vladimir Nabokov wrote that spontaneous eloquence seemed like a miracle and that he rewrote every word he ever published, and often several times. And Mark Strand, former poet laureate, says that each of his poems sometimes goes through forty to fifty drafts before it is finished.”

“Without involvement, there is no commitment. Mark it down, asterisk it, circle it, underline it. No involvement, no commitment.”

“Low maintance is what's forgettable. You might want to right that down, underline it, circle it and put a star by it. It's golden.”