“I'd love to write some porn, but I don't know if I have the right engines. When I was a young man and I was tempted to write porn, imaginary parents would appear over my shoulder and read what I was writing; just about the point that I managed to banish the imaginary parents, real children would lean over my shoulder and read what I was writing.”

“You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary — it's always imaginary — world in which I would like to live.(Interview, The Paris Review)”

“I have decided that maybe I want to write when I grow up. I just don't know what I would write.”

“I write what I want to read. If I were to write what I know, I'd be staring at a blank page forever.”

“It was then that I began to write. Writing helps when you can't talk to your friends; it wasn't that my friends were untrustworthy, it's just that I would never discuss something that was hardly real as though it were really real. Often people do this, forcing friends into authenticating an imaginary life.”

“When my head is in the typewriter the last thing on my mind is some imaginary reader. I don’t have an audience; I have a set of standards. But when I think of my work out in the world, written and published, I like to imagine it’s being read by some stranger somewhere who doesn’t have anyone around him to talk to about books and writing—maybe a would-be writer, maybe a little lonely, who depends on a certain kind of writing to make him feel more comfortable in the world.”