“It’s easier to kill people, when you’re dead yourself,” she told him. “I mean, it’s not such a big deal. You’re not so prejudiced any more.”

“The dead are, for the most part, done with the world. You are not. You’re alive. That means you have infinite potential. You can do anything, make anything, dream anything. If you change the world, the world will change. Potential. Once you’re dead, it’s gone. Over. You’ve made what you’ve made, dreamed your dream, written your name. You may be buried here, you may even walk. But that potential is finished.”

“She patted him on the arm. “You’re fucked up, Mister. But you’re cool.” “I believe that’s what they call the human condition,” said Shadow.”

“You’re going back?” asked Bod. Things that had been immutable were changing. “You’re really leaving? But. You’re my guardian.” “I was you’re guardian. But you are old enough to guard yourself. I have other things to protect.”

“You got to understand the god thing. It’s not magic. It’s about being you, but the you that people believe in. It’s about being the concentrated, magnified, essence of you. It’s about becoming thunder, or the power of a running horse, or wisdom. You take all the belief and become bigger, cooler, more than human. You crystallize.” He paused. “And then one day they forget about you, and they don’t believe in you, and they don’t sacrifice, and they don’t care, and the next thing you know you’re running a three-card monte game on the corner of Broadway and Forty-third.”

“It’s easier to believe in aliens than in gods,”

“The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it’s about and why you’re doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising… and it’s magic and wonderful and strange.”