“When writing a novel, that's pretty much entirely what life turns into: 'House burned down. Car stolen. Cat exploded. Did 1500 easy words, so all in all it was a pretty good day.”

“It's a weird thing, writing.Sometimes you can look out across what you're writing, and it's like looking out over a landscape on a glorious, clear summer's day. You can see every leaf on every tree, and hear the birdsong, and you know where you'll be going on your walk. And that's wonderful.Sometimes it's like driving through fog. You can't really see where you're going. You have just enough of the road in front of you to know that you're probably still on the road, and if you drive slowly and keep your headlamps lowered you'll still get where you were going.And that's hard while you're doing it, but satisfying at the end of a day like that, where you look down and you got 1500 words that didn't exist in that order down on paper, half of what you'd get on a good day, and you drove slowly, but you drove.And sometimes you come out of the fog into clarity, and you can see just what you're doing and where you're going, and you couldn't see or know any of that five minutes before.And that's magic.”

“So yeah, Jesus does pretty good over here. But I met a guy who said he saw him hitchhiking by the side of the road in Afghanistan and nobody was stopping to give him a ride. You know? It all depends on where you are.”

“I don't think immediate tragedy is a very good source of art. It can be, but too often it's raw and painful and un-dealt-with. Sometimes art can be a really good escape from the intolerable, and a good place to go when things are bad, but that doesn't mean you have to write directly about the bad thing; sometimes you need to let time pass, and allow the thing that hurts to get covered with layers, and then you take it out, like a pearl, and you make art out of it.When my father died, on the plane from his funeral in the UK back to New York, still in shock, I got out my notebook and wrote a script. It was a good place to go, the place that script was, and I went there so deeply and so far that when we landed Maddy had to tap me on the arm to remind me that I had to get off the plane now. (She says I looked up at her, puzzled, and said "But I want to find out what happens next.") It was where I went and what I did to cope, and I was amazed, some weeks later when I pulled out that notebook to start typing, to find that I'd written pretty much the entire script in that six hour journey.”

“Tomorrow may be hell, but today was a good writing day, and on the good writing days nothing else matters.”

“Writing may or may not be your salvation; it might or might not be your destiny. But that does not matter. What matters right now are the words, one after another. Find the next word. Write it down.”

“Stories are like spiders, with all they long legs, and stories are like spiderwebs, which man gets himself all tangled up in but which look pretty when you see them under a leaf in the morning dew, and in the elegant way that they connect to one another, each to each.”