“After a few months, I decided to do one more leg of the Le Noise tour and film the last show with Jonathan Demme in Toronto's Massey Hall/ It turned out to be a great night. Everyone was very happy because we had captured it. During a review of the digital files, we realized that the resolution was not full, it was a stepped down quality, not the best it could be. My own team's excuses were not adequate, because I was not informed of the decision to go to a lesser quality. Lesser quality is so accepted as normal now that even I had used it unknowingly. I went back to Massey Hall and set up a PA system like the one I used at the show, played back the mixes through the PA, and rerecorded the house sound at the highest resolution. I did the best I could with a bad situation. It does sound great now. Thankfully, the PA mix was only one step down from the highest resolution, so when it resonated in the hall and was rerecorded at the highest level, a high resolution hall sound was captured.”

“Briggs was living in Toronto at the time and had started a studio called Thunder Sound. He recorded the Massey Hall show. He thought this live show should have come out right away and was disappointed and disagreed with my decision to instead put out Harvest-he thought it was not as good as the Massey Hall recording. "It's great, Neil," Briggs said. "Put it out there." But that was not to be.When I heard the show thirty-four years later while reviewing tapes for my archive performance series, I was a little shocked-I agreed with David. After listening, I felt his frustration. This was better than Harvest. It meant more. He was right. I had missed it. He understood it. David was usually right, and when I disagreed with him, I was usually wrong. Every time I go into the studio or onstage, he is missed.”

“But the next noise to echo through the hall was one I was pretty sure I recognized. It was the unmistakable sound of the shit hitting the fan.”

“And it feels strange, almost sad, to walk through ther empty halls. Each step I take sounds so lonely.”

“It's okay, Harley. I'm just down the hall." He didn't say anything but I could tell he was afraid. I closed the door gently behind me and tiptoed down the hall. I stood in the kitchen, my heart pounding. I was listening for his cry, but there was not sound at all. I went back into the hall. Harley had got out of bed and put his hands under the door. His fingers were coming out from underneath. They were blue and luminous, like starfish. When I opened the door - I was careful not to scrape the skin off the back of his hands - he looked up from where he lay on the floor with saucer eyes and implored me, "I want to sleep with you." I put out my arms and he climbed into them. I carried him down the hall, in his singlet and his Kermit underpants. I put Harley down in the middle of our mattress. He curled like a kitten into the hollow.”

“Resolution One: I will live for God. Resolution Two: If no one else does, I still will.”