“The typical English painting is narrative in character. The English are a nation of diarists.”

“[Kandinsky] arrived, as they say, 'with snow on his boots', and it never really melted.”

“The object [Duchamp's Fountain] was rejected , giving Duchamp the opportunity of issuing a statement, which he published in a review, The Blind Man. In his statement he emphasized that the act of choice was sufficient to justify it as a creative art. Placing it in such a way that its normal use was disguised caused a new reality for the object to be invented. To the criticism that it was rude he replied, logically enough,"How could this object be acceptable when displayed in a plumber's shop window and yet be immoral anywhere else?”

“I think I've been very lucky. The readers who write to me say they like the characters and the sense of a real world, often one they don't otherwise know about. And usually there's a funny bit in there somewhere.”

“We're quiet for a moment. And then: 'Why did you call me Matt?''It seemed like a good idea at the time. Now that I know you, I realise I should have called that character Dick.'He laughs, and then the couch shakes. 'Honestly, Gabe, I forgot you could be this much fun.”

“If you won't be you...who will?”

“I hear you've been with every Rephaite in a skirt.'Crap. Where did that come from?'Who told you that?' HIs smile shifts into something less amused. 'Daniel. Who else? The prick.''Is he a liar?'Rafa leans against the pale wall. 'I haven't been with everyone.''What about Taya?''Hell, no. I'm no monk, but I have standards.'I wonder what else Daniel was wrong about. 'What about me?'Rafa's teasing smile doesn't quite reach his eyes. 'You had standards too.”