“Wow!" He uttered, not understanding why he said it. Lost for words, he decided to smile back at her, rather than appear dumb-stricken."Liked it?" she wanted to know. What else could he say other than, "Fantastic!You are delicious!"? He knew that these were not the words the Chairman of the Board should say to a junior secretary, but the words just tumbled out of his mouth. "I love you! I love you so much!" he found himself saying. Again , he could not understand why he said that.[MMT]”

“Why did you refuse to marry me then?” he demanded.She should be quiet; she should just stay mute. But she was angry and hurt. Only moments before he’d been saying such lovely things; now he was being horrible. “Why can’t you help yourself?” she countered, shouting back.“What?”“Why are you compelled to come after me?” she demanded, setting her hands on her hips.For a moment, he just stared at her as if she was daft.“Because I love you,” he finally said, as if it were the most obvious thing in the world.“What?” She’d waited to hear him say those words for what seemed like an eternity, and now he’d said them just as casually and unconcernedly as he might have said, “I like that dress” or “Spot is a good name for a dog.”“Because I love you,” he repeated. “Why else would I?”“I don’t know. Because you’re mad?” she suggested. How dare he say he loved her here, in such a manner, with so little fanfare?He was watching her carefully. “You seem upset.”“Oh. Do I?” she asked sweetly. Behind her, the horse shifted uneasily. Smart horse. “Perhaps it’s because I do not believe you.”

“But it seems to me that a man cannot and ought not to say that he loves, he said. Why not? I asked. Because it will always be a lie. As though it were a strange sort of discovery that someone is in love! Just as if, as soon as he said that, something went snap-bang - he loves. Just as if, when he utters that word, something extraordinary is bound to happen, with signs and portents, and all the cannons firing at once. It seems to me, he went on, that people who solemnly utter those words, 'I love you,' either deceive themselves, or what's still worse, deceive others.”

“So did you really mean all that stuff you said when I was a dead man?""Every word.""Could you say it again?" he asks. "My memory's a little fuzzy.""Which part?" The part where I said I wanted to stay with you forever?""Yeah," he murmurs, his face close to mine, his breath hot on my cheek."When I said that I love you?"He pulls back a little, searches my eyes with his. "Yes. Say it.""I love you."He takes a deep, happy breath. "I love you," he says back. "I love you, Clara."Then his gaze drops to my lips again, and he leans in, and the rest of the world simply goes away.”

“I think of the postmodern attitude as that of a man who loves a very cultivated woman and knows that he cannot say to her "I love you madly", because he knows that she knows (and that she knows he knows) that these words have already been written by Barbara Cartland. Still there is a solution. He can say "As Barbara Cartland would put it, I love you madly". At this point, having avoided false innocence, having said clearly it is no longer possible to talk innocently, he will nevertheless say what he wanted to say to the woman: that he loves her in an age of lost innocence.”

“He was always part of her thoughts, and now that he was real, he was inescapably part of her life, but it was as she had told her mother: saying he was part of her or that they were more than friends sounded like love, but it seemed like loss as well. All the words she knew to describe what he was to her were from love stories and love songs, but those were not words anyone truly meant.”