“I don't particularly believe all love is doomed. But I guess, one is usually kinda suffering from some aborted love affair or association, rather than being at the peak of one. I think it's fairly obvious that a lot more suffering goes on in the name of love than the little happiness you can squeeze out of it.”

“Death looms large I guess because it should. It’s the one thing that we as human beings from birth have a right to. It’s the only thing we’ve really got, and I don’t mean to sound bleak about this, but it’s a unifying factor amongst us all.”

“I think it's an essential fact for any performer or artist to fail as poignantly as they can succeed.”

“I don't believe in an interventionist GodBut I know, darling, that you doBut if I did I would kneel down and ask HimNot to intervene when it came to youNot to touch a hair on your headTo leave you as you areAnd if He felt He had to direct youThen direct you into my armsInto my arms, O LordInto my arms, O LordInto my arms, O LordInto my armsAnd I don't believe in the existence of angelsBut looking at you I wonder if that's trueBut if I did I would summon them togetherAnd ask them to watch over youTo each burn a candle for youTo make bright and clear your pathAnd to walk, like Christ, in grace and loveAnd guide you into my armsInto my arms, O LordInto my arms, O LordInto my arms, O LordInto my armsAnd I believe in LoveAnd I know that you do tooAnd I believe in some kind of pathThat we can walk down, me and youSo keep your candlew burningAnd make her journey bright and pureThat she will keep returningAlways and evermoreInto my arms, O LordInto my arms, O LordInto my arms, O LordInto my arms”

“...because once you've got one scar on your face or your heart, its only a matter of time before someone gives you another - and another - until a day doesn't go by when you aren't being bashed senseless, nor a town that you haven't been run out of, and you get to be such a goddamn mess that finally it doesn't feel right unless you're getting the Christ beaten out of you - amd within a year of that first damming fall, those first down borne fists, your first run out, you wind up with flies buzzing around your eyes, back at the same place, the same town, deader than when you left, bobbiong around in the swill - a dirty deadbeat whore in a roadside ditch. But a little part of you deosn't die. A little part of you lives on. And you make an orphan of that corrupt and contemtible part, dumping it right smack in the laps of the ones who first robbed you of your sweetness, for it is the wicked fruit of their crimes, it is their blood, their sin, it belongs there, this child of blood, this spawn of sin...”

“I was about 12 years old and I was sitting watching the television and it was some kind of talent show, you know, and on marches this monkey, this ape, in a pair of red-checked trousers with a little matching jacket holding a ukelele and it started jigging around playing it, and it was looking straight into the camera, straight at me, and I remember thinking, that's it, that'll be me, you know, that'll be me.”

“It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...)'I really don't know, Dad,' (...)'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?'(...)'Right, Dad,' he says.(...)'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?''OK, Dad,' says the boy (...)'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?'Bunny Junior nods.'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?''OK, Dad.''Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone.'So what do you go and do, Dad?' says Bunny Junior.'Well, you've got to have something they think they need, you know, above all else.''And what's that, Dad?''Hope... you know... the dream. You've got to sell them the dream.”