“A woman who can eat a real bruschetta is a woman you can love and who can love you. Someone who pushes the thing away because it's messy is never going to cackle at you toothlessly across the living room of your retirement cottage or drag you back from your sixth heart attack by sheer furious affection. Never happen. You need a woman who isn't afraid of a faceful of olive oil for that.”

“I need bruschetta (that's "broo-SKET-uh," not "brushetter," a slender piece of ciabatta toasted and brushed with garlic and oil and covered in fresh tomato and basil-- the chunks inevitably fall off the bread and the olive oil runs over your lips and down your chin. The whole thing is delicious, deeply physical and delightfully undignified, and a woman who can eat a real bruschetta is a woman you can love and who can love you. Someone who pushes the thing away because it's messy is never going to cackle at you toothlessly across the living room of your retirement cottage or drag you back from your sixth heart attack by sheer furious affection. Never happen. You need a woman who isn't afraid of a faceful of olive oil for that)”

“No. The moral of the story in so far as it has one is that cannibals can study logic, and that if you are going to leave the path, you better have your wits about you and know better than to trust the first scary old lady who talks to you in public.”

“Joe, you did fine,” Mercer says. “You were great. But there is no question that we are in the shit. We are in the savage jungle. For some reason, which I do not yet apprehend, there are titans stirring in the deeps and shadows on the stairwell. As my youngest cousin Lawrence would say, we are up to our necks in podu. This, incidentally, is Reggie, who is one of my occasional thugs,” indicating the gnarled youth on his left. “Now retiring to become a vet, would you believe, but for the next ten minutes you can trust him with your life, only don’t, trust me instead. Anyway … good evening, and what the fuck is going on, and try the lamb, it’s excellent.”

“Something else emerges from this discussion about us as human individuals: we're not fixed, stable intellects riding along peering at the world through the lenses of our eyes like the pilots of people-shaped spacecraft. We are affected constantly by what's going on around us. Whether our flexibility is based in neuroplasticity or in less dramatic aspects of the brain, we have to start acknowledging that we are mutable, persuadable and vulnerable to clever distortions, and that very often what we want to be is a matter of constant effort rather than attaining a given state and then forgetting about it. Being human isn't like hanging your hat on a hook and leaving it there, it's like walking in a high wind: you have to keep paying attention. You have to be engaged with the world.”

“Just got to fnafflebrump caddwallame, all right?" Edie says, and no one pays attention. She learned at Lady Gravely's that nonsense which can be misheard is a very good way to lie without getting caught. People just insert whatever they think you must be doing, and - having lied to themselves on your behalf - are disinclined to check up on you.”

“Some mornings you wake up fully in your body, and you know this is all there is--the air, the shape your body makes in the air, your hand, the skin that covers your hand, the air that covers your skin, the light that fills the air, a few colors in the light, this one thought, this dream dissolving--it is a dream that, in your half-awake state, embarrasses you. You don't tell it to the woman waking up beside you, the woman you love, because it is about another woman, whom you might also love. This is the dream you need to hold onto, this is your shadow speaking, attempting to bewilder you again. Sometimes, if you lay still, you can feel the air entering each cell, sometimes you can feel the blood in your lips. Sometimes, if you lay very still, you can feel the whole web tremble.”