“It's usually best not to ask philosophers anything, precisely because they have the habit of what in the Persian language is called sanud: the profitless consideration of unsettling yet inconsequential things.”

“I know what I want and what I might gain, and yet, how profitless to know.”

“And that taught me you can't have anything, you can't have anything at all. Because desire just cheats you. It's like a sunbeam skipping here and there about a room. It stops and gilds some inconsequential object, and we poor fools try to grasp it - but when we do the sunbeam moves on to something else, and you've got the inconsequential part, but the glitter that made you want it is gone.”

“It's up to the artist to use language that can be understood, not hide it in some private code. Most of these jokers don't even want to use language you and I know or can learn . . . they would rather sneer at us and be smug, because we 'fail' to see what they are driving at. If indeed they are driving at anything--obscurity is usually the refuge of incompetence.”

“English is not spare. But it is beautiful. It cannot be called truthful because its subtleties are infinite. It is the language of a people who have probably earned their reputation for perfidy and hypocrisy because their language itself is so flexible, so often light-headed with statements which appear to mean one thing one year and quite a different thing the next.”

“Do we get a bedtime story?" Otto asked cheekily. "Oh yes, of course. I think we'll have one of my favorites; it's called 'The Little Boy and the Tranquilizer Gun." Raven smiled in a rather unsettling way.”