“contemporary poetry is a kind of Reykjavik, a place where accessibility and intelligence have been fighting a Cold War by proxy for the last half-century. ”

Nick Hornby

Explore This Quote Further

Quote by Nick Hornby: “contemporary poetry is a kind of Reykjavik, a pl… - Image 1

Similar quotes

“Songwriting is an art distinct from poetry.”


“I have always been accused of taking the things I love - football, of course, but also books and records - much too seriously, and I do feel a kind of anger when I hear a bad record, or when someone is lukewarm about a book that means a lot to me.”


“You don’t know anything, apart from what you read in the paper.” “You seem to be the only person in the world that the papers get bang to rights. If they say you’ve slept with a fifteen­-year­-old, you have. If they say you’ve fallen over drunk in the street, you have. They don’t need to invent stuff for you.” This was actually quite an acute observation. She was right: not once have I been the victim of misrepresentation or distortion. If you think about it, that was one of the most humiliating aspects of the last few years. The papers have been full of shit about me, and every word of the shit was true.”


“What was happening here? He decided that children were what was happening here; that children served as a symbolic blemish, like a birthmark or obesity, which gave him a chance where previously there would have been none. Maybe children democratized beautiful single women.”


“What I needed more than anything was a place where unfocused unhappiness could thrive, where I could be still and worry and mope; I had the blues, and when I watched my team I could unwrap them and let them breathe a little.”


“It didn't help that I was never allowed to study anything remotely contemporary until the last year of university: there was never any sense of that leading to this. If anything, my education gave me the opposite impression, of an end to cultural history round about the time that Forster wrote A Passage to India. The quickest way to kill all love for the classics, I can see now, is to tell young people that nothing else maters, because then all they can do is look at them in a museum of literature, through glass cases. Don't touch! And don't think for a moment that they want to live in the same world as you! And so a lot of adult life -- if your hunger and curiosity haven't been squelched by your education -- is learning to join up the dots that you didn't even know were there.”