“I guess I should have forgotten about it ages ago, but forgetting isn't something I'm very good at.”

“A couple of months ago, I became depressed by the realization that I'd forgotten pretty much everything I've ever read. I have, however, bounced back: I am now cheered by the realization that if I've forgotten everything I've ever read then I can read some of my favorite books again as if for the first time.”

“I'm very good at the past. It's the present I can't understand.”

“The trouble with my generation is that we all think we're fucking geniuses. Making something isn't good enough for us, and neither is selling something, or teaching something, or even just doing something; we have to be something.”

“I remembered what it is I like about sex: what I like about sex is that I can lose myself in it entirely. Sex, in fact, is the most absorbing activity I have discovered in adulthood. When I was a child I used to feel this way about all sorts of things—Legos, The Jungle Book, The Hardy Boys, The Man from U.N.C.L.E., Saturday morning cartoons...I could forget where I was, the time of day, who I was with. Sex is the only thing I've found like that as a grown-up, give or take the odd film: books are no longer like that once you're out of your teens, and I've certainly never found it in my work. All the horrible pre-sex self-consciousness drains out of me, and I forget where I am, the time of day...and yes, I forget who I'm with, for the time being.”

“I'm still not a very good white wine, but I'm drinkable - you could put me in a punch, anyway.”

“I couldn't have written [What Good Are The Arts?] because I--and I'm not alone, by any means--do not have Carey's breadth of reading, nor his calm, wry logic, which enables him to demolish the arguments of just about everyone who has ever talked tosh about objective aesthetic principles. And this group, it turns out, includes anyone who has ever talked about objective aesthetic principles.”