“It's music rage, which is like road rage, only more righteous. When you get road rage, a tiny part of you knows you're being a jerk, but when you get music rage, you're carrying out the will of God, and God wants these people dead”

“Of course Tucker Crowe was in pain when he made [the record], but he couldn't just march into a recording studio and start howling. He'd have sounded mad and pathetic. He had to calm the rage, tame it and shape it so that it could be contained in the tight-fitting songs. Then he had to dress it up so that it sounded more like itself.”

“Once you stop pretending that everything's shitty and you can't wait to get out of it...then it gets more painful, not less. Telling yourself life is shit is like an anesthetic, and when you stop taking the Advil, then you really can tell how much it hurts, and where, and it's not like that kind of pain does anyone a whole lot of good. ”

“He loved Nirvana, but at his age they were kind of a guilty pleasure. All that rage and pain and self-hatred! Will got a bit...fed up sometimes, but he couldn't pretend it was anything stronger than that. So now he used loud angry rock music as a replacement for real feelings, rather than as an expression of them, and he didn't even mind very much. What good were real feelings anyway?”

“You're not allowed to say anything about books because they're books, and books are, you know, God.”

“A good compilation tape, like breaking up, is hard to do. You've got to kick off with a corker, to hold the attention (I started with 'Got To Get You Off My Mind', but then realised that she might not get any further than track one, side one if I delivered what she wanted straight away, so I buried it in the middle of side two), and then you've got to up it a notch, and you can't have white music and black music together, unless the white music sounds like black music, and you can't have two tracks by the same artist side by side, unless you've done the whole thing in pairs, and ... oh there are loads of rules.”

“It's only just beginning to occur to me that it's important to have something going on somewhere, at work or at home, otherwise you're just clinging on. [...] You need as much ballast as possible to stop you floating away; you need people around you, things going on, otherwise life is like some film where the money ran out, and there are no sets, or locations, or supporting actors, and it's just one guy on his own staring into the camera with nothing to do and nobody to speak to, and who'd believe in this character then? I've got to get more stuff, more clutter, more detail in here, because at the moment I'm in danger of falling off the edge.”