“So, as she walked down the stairs into the club, she was looking forward to a seething, teeming, wriggling, wiggling throng of dancers, many of whom she'd recognize: she wanted to see former pupils, local shopkeepers, museum regulars, all of whom would look at her as if to say, "Here we are! What kept you?”

“Do you need someone to talk to?" she said gently. "Oh. Thank you. No, no, I'm fine." He touched his face – he'd been crying harder than he'd realized. "You sure? You don't look fine." "No, really. I've just . . . I've just had a very intense emotional experience." He held out one of his iPod headphones, as if that would explain it. "On here." "You're crying about music?" The woman looked at him as if he were some kind of pervert. "Well," said Duncan. "I'm not crying about it. I'm not sure that's the right preposition." She shook her head and walked off.”

“She regretted the explanation immediately, but that was because she always regretted everything. And then, after the regret had flared and burned out, she didn't care. He should know, she thought. She wanted him to know. She felt something for somebody, and she'd told him.”

“She thought I was...soulful, by which I think she means that I don't say much and I always look vaguely pissed off.”

“Linda seemed to recognize loneliness. Possibly she could see it sitting opposite her, sipping lager and trying not to lose its temper. It was an illness, loneliness--it made you weak, gullible, feebleminded.”

“He wanted Rachel to be his wife, his lover, the centre of his whole world; a girlfriend implied that he would see her from time to time, that she would have some kind of independent existence away from him, and he didn't want that at all.”

“You’re seeing someone else, aren’t you?" Seeing someone else? How on earth could that explain any of this? Why would seeing someone else necessitate bringing home a middle­-aged woman, a teenaged punk and an American with a leather jacket and a Rod Stewart haircut? What would the story have been? But then, after reflection, I realised that Penny had probably been here before, and therefore knew that infidelity can usually provide the answer to any domestic mystery. If I had walked in with Sheena Easton and Donald Rumsfeld, Penny would probably have scratched her head for a few seconds before saying exactly the same thing. In other circumstances, on other evenings, it would have been the right conclusion, too; I used to be pretty resourceful when I was being unfaithful to Cindy, even if I do say so myself. I once drove a new BMW into a wall, simply because I needed to explain a four­-hour delay in getting home from work. Cindy came out into the street to inspect the crumpled bonnet, looked at me, and said, “You’re seeing someone else, aren’t you?” I denied it, of course. But then, anything – smashing up a new car, persuading Donald Rumsfeld to come to an Islington flat in the early hours of New Year’s Day – is easier than actually telling the truth. That look you get, the look which lets you see right through the eyes and down into the place where she keeps all the hurt and the rage and the loathing... Who wouldn’t go that extra yard to avoid it?”