“You're not allowed to say anything about books because they're books, and books are, you know, God.”

“We are never allowed to forget that some books are badly written; we should remember that sometimes they're badly read, too.”

“Last month I was banging on about how books were better than anything—-how just about any decent book you picked would beat up anything else, any film or painting or piece of music, you cared to match it up with. Anyway, like most theories advanced in this column, it turned out to be utter rubbish. I went to a couple of terrific exhibitions at the Royal Academy (and that’s a hole in my argument right there—one book might beat up one painting, but what chance has one book, or even four books, got against the collected works of Guston and Vuillard?)...”

“So this is supposed to be the how, and when, and why, and what or reading - about the way that, when reading is going well, one book leads to another and to another, a paper trail of theme and meaning; and how, when it's going badly, when books don't stick or take, when your mood and the mood of the book are fighting like cats, you'd rather do anything but attempt the next paragraph, or reread the last one for the tenth time. "We talked about books," says a character in Charles Baxter's wonderful Feast of Love, "how boring they were to read, but how you loved them anyway. Anyone who hasn't felt like that isn't owning up.”

“The annoying thing about reading is that you can never get the job done. The other day I was in a bookstore flicking through a book called something like 1001 Books You Must Read Before You Die (and, without naming names, you should be aware that the task set by the title is by definition impossible, because at least four hundred of the books suggested would kill you anyway), but reading begets reading--that's sort of the point of it, surely?--and anybody who never deviates from a set list of books is intellectually dead anyway.”

“So this is supposed to be about the how, and when, and why, and what of reading -- about the way that, when reading is going well, one book leads to another and to another, a paper trail of theme and meaning; and how, when it's going badly, when books don't stick or take, when your mood and the mood of the book are fighting like cats, you'd rather do anything but attempt the next paragraph, or reread the last one for the tenth time.”

“Every time people force themselves to carry on with a book they're not enjoying, they reinforce the idea that reading is a duty.”