“The power of literature, I've always thought, lies in how willful the act of making it is. As such, I've never bought into the idea that the writer requires any special ritual in order to write. If need be, I could write almost anywhere, as easily in an ashram as in a crowded cafe, or so I've always insisted when asked whether I write with a pen or a computer, at morning or night, alone or surrounded, in a saddle like Goethe, standing like Hemingway, lying down like Twain, and so on, as if there were a secret to it all that might spring the lock of the safe housing the novel, fully formed and ready for publication, apparently suspended in each of us.”

“I always write from my own experiences, whether I've had them or not.”

“Writers are asked, 'How could you know so much about [fill in the profession]?' The answer, if the writing satisfies, is that one makes it up. And the job, my job, as a dramatist, was not to write accurately, but to write persuasively. If and when I do my job well, subsequent cowboys, as it were, will talk like me.”

“I don't think I've ever dared to write down what I see in the ruins of me, or tell in any detail the scars and all their secrets.”

“Writer's block? I've heard of this. This is when a writer cannot write, yes? Then that person isn't a writer anymore. I'm sorry, but the job is getting up in the fucking morning and writing for a living.”

“Write me what you're wearing! Is it warm? Write me how you lie! Do you lie there softly? Write me how you look! Is it still the same? Write me what you're missing! Is it my arm? Write me how you are! Have you been spared? Write me what they're doing! Do you have enough courage? Write me what you're doing! Is it good? Write me, who are you thinking of? Is it me? Freely, I've given you only my questions. And I hear the answers, how they fall. When you're tired, I can't carry it for you. If you're hungry, I have nothing for you to eat. And so now I leave the world No longer there, as if I've forgotten you.”