“When a man is in love how can he use old words? Should a woman desiring her lover lie down with grammarians and linguists? I said nothing to the woman I loved but gathered love's adjectives into a suitcase and fled from all languages.”

“In her first passion, a woman loves her lover, in all the others all she loves is love.”

“There is nothing so inspiring to a woman as seeing love in a man's eyes when he looks at her.”

“Man can never know the loneliness a woman knows. Man lies in the woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. Woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which she is bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love a taking of man within her, an act of birth and rebirth, of child rearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to be. But for woman, the climax is not in the birth, but in the moment man rests inside of her.”

“A man can love too.''No; -- hardly. He can admire, and he can like, and he can fondle and be fond. He can admire and approve, and perhaps worship. He can know of a woman that she is part of himself, the most sacred part, and therefore will protect her from the very winds. But all that will not make love. It does not come to a man that to be separated from a woman is to be dislocated from his very self. A man has but one centre, and that is himself. A woman has two. Though the second may never been seen by her, may live in the arms of another, may do all for that other that man can do for woman, -- still, still, though he be half the globe asunder from her, still he is to her the half of her existence. If she really love, there is, I fancy no end of it.”

“The beauty myth sets it up this way: A high rating as an art object is the most valuable tribute a woman can exact from her lover. If he appreciates her face and body because it is hers, that is next to worthless. It is very neat: The myth contrives to make women offend men by scrutinizing honest appreciation when they give it; it can make men offend women merely by giving them honest appreciation. It can manage to contaminate the sentence "You're beautiful," which is next to "I love you" in expressing a bond of regard between a woman and a man. A man cannot tell a woman that he loves to look at her without risking making her unhappy. If he never tells her, she is destined to be unhappy. And the "luckiest" woman of all, told she is loved because she's "beautiful," is often tormented because she lacks the security of being desired because she looks like who she lovably is.”