“And in that sliver of time, I felt the power around me coalesce, malice-hard and sharp as crystal.That this analogy occurred to me should have been a warning.”
“You're very lucky... Friends are precious, powerful things - hard to earn, harder still to keep. You should thank this one for taking a chance on you.”
“I am not as I once was. They have done this to me, broken me open and torn out my heart. I do not know who I am anymore.I must try to remember.”
“I have decided to live,” he said quietly.That, too, was obvious from the way he’d changed in the past year. I felt his gaze as he spoke, heavier than usual along my skin. He had been my friend, and now offered more. Was willing to try more. But I knew: he was not the sort of man who loved easily, or casually. If I wanted him, I would have all of him, and he wanted all of me. All or nothing; that was as fundamental to his nature as light itself.I tried to joke. “It took you a year to decide that?”“Ten, yes,” Shiny replied. “This last year was for you to decide.”
“So here is why I write what I do: We all have futures. We all have pasts. We all have stories. And we all, every single one of us, no matter who we are and no matter what’s been taken from us or what poison we’ve internalized or how hard we’ve had to work to expel it –– we all get to dream.”
“Throughout my life as I’ve sought to become a published writer of speculative fiction, my strongest detractors and discouragers have been other African Americans. These were people who had, like generations before them, bought into the mythology of racism: black people don’t read. Black people can’t write. Black people have no talents other than singing and dancing and sports and crime. No one wants to read about black people, so don’t write about them. No one wants to write about black people, which is why you never see a black protagonist. Even if you self-publish, black people won’t support you. And if you aim for traditional publication, no one who matters — that is, white people — will buy your work.(A corollary of all this: there is only black and white. Nothing else matters.)Having swallowed these ideas, people regurgitated them at me at nearly every turn. And for a time, I swallowed them, too. As a black woman, I believed I wasn’t supposed to be a writer. Simultaneously I believed I was supposed to write about black people — and only black people. And only within a strictly limited set of topics deemed relevant to black people, because only black people would ever read anything I’d written. Took me years after I started writing to create a protagonist who looked like me. And then once I started doing so, it took me years to write a protagonist who was something different.”
“He was dead again when I got home that day. His corpse was in the kitchen, near the counter, where it appeared he'd been chopping vegetables when the urge to stab himself through the wrist had struck. I slipped on the blood coming in, which annoyed me because that meant it was all over the kitchen floor.”