“This writer, he was going on about the lyrics to "Champagne Supernova", and he actually said to me: ‘You know, the one thing that’s stopping it being a classic is the ridiculous lyrics.’ And I went: ‘What do you mean by that?’ And he said: ‘Well, Slowly walking down the hall, faster than a cannonball — what’s that mean?’ And I went: ‘I don’t fucking know. But are you telling me, when you’ve got 60,000 people singing it, they don’t know what it means? It means something different to every one of them.”

“Listen to me. I don’t know what’s going on. I don’t know what any of this means. But I know this much. It doesn’t matter. You’re not one of them. You never were. You’re not theirs. You’re mine.”

“I've been clinically diagnosed with sociopathy,' I said. 'Do you know what that means?''It means you're a freak,' he said.'It means that you're about as important to me as a cardboard box,' I said. 'You're just a thing - a piece of garbage that no one's thrown away yet. Is that what you want me to say?''Shut up,' said Rob. He was still acting tough, but I could see his bluster was starting to fail. He didn't know what to say.'The thing about boxes,' I said, 'is that you can open them up. Even though they're completely boring on the outside, there might be something interesting inside. So while you're saying all of these stupid, boring things I'm imagining what it would be like to cut you open and see what you've got in there.”

“She set her hands neatly in her lap. “But you just said he liked you.” “No, I said he enjoys my company. That is, he enjoys hating me. Or pretending to hate me. I don’t know which. But I’m finding it difficult to completely dislike someone who gets pleasure from having me around. ...“So he likes being mean to you,” she said. “And you like that he likes being mean to you.” “And I like being mean to him, too, don’t forget.” “Of course not. Pleasure from meanness. There’s a name for it: sadomasochism.”

“One of the vital things for a writer who’s writing a book, which is a lengthy project and is going to take about a year, is how to keep the momentum going. It is the same with a young person writing an essay. They have got to write four or five or six pages. But when you are writing it for a year, you go away and you have to come back. I never come back to a blank page; I always finish about halfway through. To be confronted with a blank page is not very nice. But Hemingway, a great American writer, taught me the finest trick when you are doing a long book, which is, he simply said in his own words, “When you are going good, stop writing.” And that means that if everything’s going well and you know exactly where the end of the chapter’s going to go and you know just what the people are going to do, you don’t go on writing and writing until you come to the end of it, because when you do, then you say, well, where am I going to go next? And you get up and you walk away and you don’t want to come back because you don’t know where you want to go. But if you stop when you are going good, as Hemingway said…then you know what you are going to say next. You make yourself stop, put your pencil down and everything, and you walk away. And you can’t wait to get back because you know what you want to say next and that’s lovely and you have to try and do that. Every time, every day all the way through the year. If you stop when you are stuck, then you are in trouble!”

“In the years ahead of me, I learned that the world is actually filled with people ready to tell you how likely something is, and what it means to be realistic. But what I have also learned is that no one, no one truly knows what is possible until they go and do it.”