“Ah, this is fine," he cried triumphantly, holding up a small medallion on a chain. He dusted it off, and engraved on one side were the words "WHY NOT?" "That's a good reason for almost anything - a bit used perhaps, but still quite serviceable.”

“I take one day off," he says, "and you almost get yourself killed.""Almost being the operative word.""Killed being the operative word. Almost is the word Killed used to beat up in high school.”

“He had to say; words were a lens to focus one's mind, and he could not use words for anything else tonight.”

“He smiles sadly. "Now I know my destiny.""What is it?""This."He draws me in to him in a kiss. His lips are warm. He pulls me tighter in his embrace. The roots sigh and release their hold on my waist and the wound in my side is healed. "Kartik," I cry, kissing his cheeks. "It's let me go.""That's good," he says. He makes a small cry. His back arches, and every muscle in his body tightens.”

“Is there something wrong?” he asked.She gave a short negative motion with her head. And then words, so sweet, like a cool northern breeze blowing off the lake. “You could hold me now.”It was almost his undoing.“Ah baby.”

“Why are they crying? Why are they crying?" Mitya asks, flying past them at a great clip."The wee one, the driver answers, "it's the wee one crying." And Mitya is struck that he has said it in his own peasant way: "the wee one," and not "the baby." And he likes it that the peasant has said "wee one": there seems to be more pity in it."But why is it crying?" Mitya insists, as if he were foolish, "why are its little arms bare, why don't they wrap it up?""The wee one's cold, its clothes are frozen, they don't keep it warm.""But why is it so? Why?" foolsih Mitya would not leave off."They're poor, burnt out, they've got no bread, they're begging for their burnt-down place.""No, no," Mitya still seems not to understand, "tell me: why are these burnt-out mothers standing here, why are the people poor, why is the wee one poor, why is the steppe bare, why don't they embrace and kiss, why don't they sing joyful songs, why are they blackened with such black misery, why don't they feed the wee one?"And he feels within himself that, though his questions have no reason or sense, he still certainly wants to ask in just that way, and he should ask in just that way. And he also feels a tenderness such as he has never known before surging up in his heart, he wants to weep, he wants to do something for them all, so that the wee one will no longer cry, so that the blackened, dried-up mother of the wee one will not cry either, so that there will be no more tears in anyone from that moment on, and it must be done at once, at once, without delay and despite everything, with all his Karamazov unrestraint.”