“because two bodies, naked and entwined,leap over time, they are invulnerable,nothing can touch them, they return to the source,there is no you, no I, no tomorrow,no yesterday, no names, the truth of twoin a single body, a single soul,oh total being...”

“My body, plowed by your body, will turn into a field where one is sown and a hundred reaped.”

“listen to me as one listens to the rain,the years go by, the moments return,do you hear the footsteps in the next room?not here, not there: you hear themin another time that is now,listen to the footsteps of time,inventor of places with no weight, nowhere,listen to the rain running over the terrace,the night is now more night in the grove,lightning has nestled among the leaves,a restless garden adrift-go in,your shadow covers this page.”

“...you are you and your body of steam,you and your face of night,you and your hair, unhurried lightning,you cross the street and enter my forehead,footsteps of water across my eyes,listen to me as one listens to the rain”

“If we are a metaphor of the universe, the human couple is the metaphor par excellence, the point of intersection of all forces and the seed of all forms. The couple is time recaptured, the return to the time before time.”

“In this pilgrimage in search of modernity I lost my way at many points only to find myself again. I returned to the source and discovered that modernity is not outside but within us. It is today and the most ancient antiquity; it is tomorrow and the beginning of the world; it is a thousand years old and yet newborn. It speaks in Nahuatl, draws Chinese ideograms from the 9th century, and appears on the television screen. This intact present, recently unearthed, shakes off the dust of centuries, smiles and suddenly starts to fly, disappearing through the window. A simultaneous plurality of time and presence: modernity breaks with the immediate past only to recover an age-old past and transform a tiny fertility figure from the neolithic into our contemporary. We pursue modernity in her incessant metamorphoses yet we never manage to trap her. She always escapes: each encounter ends in flight. We embrace her and she disappears immediately: it was just a little air. It is the instant, that bird that is everywhere and nowhere. We want to trap it alive but it flaps its wings and vanishes in the form of a handful of syllables. We are left empty-handed. Then the doors of perception open slightly and the other time appears, the real one we were searching for without knowing it: the present, the presence.”

“I thought that the world was a vast system of signs, a conversation between giant beings. My actions, the cricket's saw, the star's blink, were nothing but pauses and syllables, scattered phrases from that dialogue. What word could it be, of which I was only a syllable? Who speaks the word? To whom is it spoken?”