“My body, plowed by your body, will turn into a field where one is sown and a hundred reaped.”

Octavio Paz

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“...you are you and your body of steam,you and your face of night,you and your hair, unhurried lightning,you cross the street and enter my forehead,footsteps of water across my eyes,listen to me as one listens to the rain”


“because two bodies, naked and entwined,leap over time, they are invulnerable,nothing can touch them, they return to the source,there is no you, no I, no tomorrow,no yesterday, no names, the truth of twoin a single body, a single soul,oh total being...”


“persistent, flowing through fallen shadows,excavating tunnels, drilling silences,insisting, running under my pillow,brushing past my temples, covering my eyelidswith another, intangible skin made of air,its wandering nations, its drowsy tribesmigrate through the provinces of my body,it crosses, re-crosses under the bridges of my bones,slips into my left ear, spills out from my right,climbs the nape of my neck,turns and turns in my skull,wanders across the terrace of my forehead,conjures visions, scatters them,erases my thoughts one by onewith hands of unwetting water,it evaporates them,black surge, tide of pulse-beats,murmur of water groping forwardrepeating the same meaningless syllable,I hear its sleepwalking deliriumlosing itself in serpentine galleries of echoes,it comes back, drifts off, comes back,endlessly flings itselfoff the edges of my cliffs,and I don’t stop fallingand I fall”


“No one behind, no one ahead.The path the ancients cleared has closed.And the other path, everyone's path,easy and wide, goes nowhere.I am alone and find my way.”


“Art is an invention of aesthetics, which in turn is an invention of philosophers... What we call art is a game.”


“At times poetry is the vertigo of bodies and the vertigo of speech and the vertigo of death;the walk with eyes closed along the edge of the cliff, and the verbena in submarine gardens;the laughter that sets on fire the rules and the holy commandments;the descent of parachuting words onto the sands of the page;the despair that boards a paper boat and crosses,for forty nights and forty days, the night-sorrow sea and the day-sorrow desert;the idolatry of the self and the desecration of the self and the dissipation of the self;the beheading of epithets, the burial of mirrors;the recollection of pronouns freshly cut in thegarden of Epicurus, and the garden of Netzahualcoyotl;the flute solo on the terrace of memory and the dance of flames in the cave of thought;the migrations of millions of verbs, wings and claws, seeds and hands;the nouns, bony and full of roots, planted on the waves of language;the love unseen and the love unheard and the love unsaid: the love in love.”