“How different from the cosy world of Rüya's detective novels, where authors never vexed a hero with more signs than he needed.”

Orhan Pamuk

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“Over time, I have come to see the work of literature less as narrating the world than "seeing the world with words."From the moment he begins to use words like colors in a painting, a writer can begin to see how wondrous and surprising the world is, and he breaks the bones of language to find his own voice. For this he needs paper, a pen, and the optimism of a child looking at the world for the first time. ”


“But no one believes in that way what he reads in a novel...Oh yes they do. If only to see themselves as wise and superior and humanistic, they need to think of us as sweet and funny, and convince themselves that they sympathize with the way we are and even love us.”


“A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is: when I speak of writing, what comes first to my mind is not a novel, a poem, or literary tradition, it is a person who shuts himself up in a room, sits down at a table, and alone, turns inward; amid its shadows, he builds a new world with words.”


“When you look into the faces of these quiet creatures who don't know how to tell stories--who are mute, who can't make themselves heard, who fade into the woodwork, who only think of the perfect answer after the fact, after they're back at home, who can never think of a story that anyone else will find interesting--is there not more depth and more meaning in them? You can see every letter of every untold story swimming on their faces, and all the signs of silence, dejection, and even defeat. You can even imagine your own face in those faces, can't you?”


“How much can we ever know about the love and pain in another heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known?”


“Solo después de casarse descubrió Galip que en la vida de aquella persona anónima a la que las estadísticas y los encasillamientos burocráticos llaman "ama de casa" (aquella mujer con detergente e hijos que Galip jamás había podido relacionar con Rüya) existía una región así de secreta, así de misteriosa y así de resbaladiza.”