“The brain had its own food on which it battened, and the imagination,made grotesque by terror, twisted and distorted as a living thing by pain,danced like some foul puppet on a stand and grinned through moving masks.”

“Human life--that appeared to him the one thing worth investigating. Compared to it there was nothing else of any value. It was true that as one watched life in its curious crucible of pain and pleasure, one could not wear over one's face a mask of glass, nor keep the sulphurous fumes from troubling the brain and making the imagination turbid with monstrous fancies and misshapen dreams.”

“The terror of society, which is the basis of morals, the terror of God, which is the secret of religion-these are the two things that govern us.”

“People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one's self. Of course, they are charitable. They feed the hungry and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion—these are the two things that govern us. And yet—”

“We caught the tread of dancing feet,We loitered down the moonlit street,And stopped beneath the harlot's house.Inside, above the din and fray,We heard the loud musicians playThe 'Treues Liebes Herz' of Strauss.Like strange mechanical grotesques,Making fantastic arabesques,The shadows raced across the blind.We watched the ghostly dancers spinTo sound of horn and violin,Like black leaves wheeling in the wind.Like wire-pulled automatons,Slim silhouetted skeletonsWent sidling through the slow quadrille,Then took each other by the hand,And danced a stately saraband;Their laughter echoed thin and shrill. Sometimes a clockwork puppet pressedA phantom lover to her breast,Sometimes they seemed to try to sing.Sometimes a horrible marionetteCame out, and smoked its cigaretteUpon the steps like a live thing.Then, turning to my love, I said,'The dead are dancing with the dead,The dust is whirling with the dust.'But she--she heard the violin,And left my side, and entered in:Love passed into the house of lust.Then suddenly the tune went false,The dancers wearied of the waltz,The shadows ceased to wheel and whirl.And down the long and silent street,The dawn, with silver-sandalled feet,Crept like a frightened girl.”

“Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly -- that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to oneself. Of course they are charitable. They feed the hungry, and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion -- these are the two things that govern us.”

“There are moments, psychologists tell us, when the passion for sin, or what the world calls sin, so dominates a nature, that every fibre of the body, as every cell of the brain, seems to be instinct with fearful impulses. Men and women at such moments lose the freedom of their will. They move to their terrible end as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination, and disobedience its charm.”