“There was a silence. The evening darkened in the room. Noiselessly and with silver feet the shadows crept in from the garden. The colours faded wearily out of things.”

“Down the long and silent street, The dawn, with silver-sandaled feet,Crept like a frightened girl.”

“It seems to me that we all look at Nature too much, and live with her too little. I discern great sanity in the Greek attitude. They never chattered about sunsets, or discussed whether the shadows on the grass were really mauve or not. But they saw that the sea was for the swimmer, and the sand for the feet of the runner. They loved the trees for the shadow that they cast, and the forest for its silence at noon.”

“tone of colour in a room or a morning sky, a particular perfume that you had once loved and that brings subtle memories with it, a line from a forgotten poem that you had come across again, a cadence from a piece of music that you had ceased to play— I tell you, Dorian, that it is on things like these that our lives depend.”

“But a chance tone of colour in a room or a morning sky, a particular perfume that you had once loved and that brings subtle memories with it, a line from a forgotten poem that you had come across again, a cadence from a piece of music that you had ceased to play— I tell you, Dorian, that it is on things like these that our lives depend.”

“I wanted to eat of the fruit of all the trees in the garden of the world… And so, indeed, I went out, and so I lived. My only mistake was that I confined myself so exclusively to the trees of what seemed to me the sun-lit side of the garden, and shunned the other side for its shadow and its gloom.”

“We caught the tread of dancing feet,We loitered down the moonlit street,And stopped beneath the harlot's house.Inside, above the din and fray,We heard the loud musicians playThe 'Treues Liebes Herz' of Strauss.Like strange mechanical grotesques,Making fantastic arabesques,The shadows raced across the blind.We watched the ghostly dancers spinTo sound of horn and violin,Like black leaves wheeling in the wind.Like wire-pulled automatons,Slim silhouetted skeletonsWent sidling through the slow quadrille,Then took each other by the hand,And danced a stately saraband;Their laughter echoed thin and shrill. Sometimes a clockwork puppet pressedA phantom lover to her breast,Sometimes they seemed to try to sing.Sometimes a horrible marionetteCame out, and smoked its cigaretteUpon the steps like a live thing.Then, turning to my love, I said,'The dead are dancing with the dead,The dust is whirling with the dust.'But she--she heard the violin,And left my side, and entered in:Love passed into the house of lust.Then suddenly the tune went false,The dancers wearied of the waltz,The shadows ceased to wheel and whirl.And down the long and silent street,The dawn, with silver-sandalled feet,Crept like a frightened girl.”