“The cells smell is a great feature of French prisons. Ours in No.44 was one of those fine broad-shouldered up and coming young smells, which stand on both feet and look the world in the eye. We became very fond and proud of it.”

“He is among those beings of great scope who spread their leafy branches willingly over broad horizons. To be a man is, precisely, to be responsible. It is to know shame at the sight of poverty which is not of our making. It is to be proud of a victory won by our comrades. It is to feel, as we place our stone, that we are contributing to the building of the world.”

“We had come so close to greatness. We had smelled it, and it smelled like roast pig. Everybody likes the smell of roast pig. But what is worse, smelling the roast and not feasting, or not smelling the roast at all?”

“My facial features smell as rugged as a rose looks. Isn’t my nose the most romantically smelling thing?”

“...and every Wednesday the perfumed young lady slips me a hundred-crown note to leave her alone with the convict. And by Thursday the hundred crowns are already gone in so much beer. And when the visiting hour is over, the young lady comes out with the stink of jail in her elegant clothes; and the prisoner goes back to his cell with the lady's perfume in his jailbird's suit. And I'm left with the smell of beer. Life is nothing but trading smells.”

“It was a dead hole, smelling of synthetic leather and disinfectant, both of which odors seemed to emanate from the torn scratched material of the seats that lined the three walls. It smelled of the tobacco ashes which had flooded the two standing metal ashtrays. On the chromium lip of one, a cigar butt gleamed wetly like a chewed piece of beef. There was the smell of peanut shells and of the waxy candy wrappers that littered the floor, the smell of old newspapers, dry, inky, smothering and faintly like a urinal, the smell of sweat from armpits and groins and backs and faces, pouring out and drying up in the lifeless air, the smell of clothes—cleaning fluids imbedded in fabric and blooming horribly in the warm sweetish air, picking at the nostrils like thorns—all the exudations of the human flesh, a bouquet of animal being, flowing out, drying up, but leaving a peculiar and ineradicable odor of despair in the room as though chemistry was transformed into spirit, an ascension of a kind,…Light issuing from spotlights in the ceiling was sour and blinding like a sick breath.There was in that room an underlying confusion in the function of the senses. Smell became color, color became smell. Mute started at mute so intently they might have been listening with their eyes, and hearing grew preternaturally acute, yet waited only for the familiar syllables of surnames. Taste died, mouth opened in the negative drowsiness of waiting.”