“Women don't always want the right things in a man. And men don't have even an idea of what they want," she said. "Why, one minute their bodies tell them they want a wild woman that makes their blood rush. The next minute their good sense reminds them that they need a hard worker who is sturdy enough to help plow the field and birth the babies. They want a woman who'll mind their word and not be giving no jawing. But they also want a gal they can complain to when they are scared and unsure and who's smart enough to talk clear about the things goin' on.""So the wife has to be all those things?""No, the wife is none of them," the old woman answered. "The wife is a wife and no further definition is necessary." Granny leaned forward in her chair to look more closely at Meggie. "Roe Farley married you and you were his wife. Nothing further even need to be said."Her face flushing with embarrassment, she glanced away. "But he doesn't... he didn't love me.""And did you think he would?"Momentarily Meggie was taken aback. "Well, yes.""Lord Almighty, child," Granny said. "Love ain't something that heaven hands out like good teeth or keen eyesight. Love is something two people make together."Shaking her head, the old woman leaned back in her chair once more and tapped on her pipe. "Love, oh, my, it starts out simple and scary with all that heavy breathing and in the bed sharing," she said. "You a-trembling when he runs his hands acrost your skin, him screaming out your name when he gets in the short rows. That's the easy part, Meggie. Every day thereafter it gets harder. The more you know him, the more he knows you, the longer you are a part of each other, the stronger the love is and the tougher it is to have it.”

Pamela Morsi

Pamela Morsi - “Women don't always want the right things...” 1

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“You'll be my wife," he said inexorably."You want to own me!" she accused, trying to crawl away from him."Yes." He flung her down on the bed and flattened his weight on her. As he spoke, his hot breath fannedher mouth and chin. "Yes. I want other people to look at you and know you're mine. I want you to takemy name and my money. I want you tolive with me. I want to be inside you . . . part of your thoughts . . . your body . . . all of you. I want you totrust me. I want to give you whatever elusive, impossible, goddamned mysterious thing it is you need inorder to be happy. Does that frightenyou? Well, it frightens the hell out of me. Don't you think I'd stop feeling this way if I could? It's not as ifyou're the easiest woman in the world!!”

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“Why have you done all this for me?" She turned her head to look at him. "Tell me the truth."He shook his head slowly."I don't think I could have been more terrified of the devil than I was of you," she said, "when it was happening and in my thoughts and nightmares afterward. And when you came home to Willoughby and I realized that the Duke of Ridgeway was you, I thought I would die from the horror of it."His face was expressionless. "I know," he said."I was afraid of your hands more than anything," she said. "They are beautiful hands."He said nothing."When did it all change?" she asked. She turned completely toward him and closed the distance between them. "You will not say the words yourself. But they are the same words as the ones on my lips, aren't they?"She watched him swallow."For the rest of my life I will regret saying them," she said. "But I believe I would regret far more not saying them.""Fleur," he said, and reached out a staying hand."I love you," she said."No.""I love you.""It is just that we have spent a few days together," he said, "and talked a great deal and got to know each other. It is just that I have been able to help you a little and you are feeling grateful to me.""I love you," she said."Fleur."She reached up to touch his scar. "I am glad I did not know you before this happened," she said. "I do not believe I would have been able to stand the pain.""Fleur," he said, taking her wrist in his hand."Are you crying?" she said. She lifted both arms and wrapped them about his neck and laid her cheek against his shoulder. "Don't, my love. I did not mean to lay a burden on you. I don't mean to do so. I only want you to know that you are loved and always will be.""Fleur," he said, his voice husky from his tears, "I have nothing to offer you, my love. I have nothing to give you. My loyalty is given elsewhere. I didn't want this to happen. I don't want it to happen. You will meet someone else. When I am gone you will forget and you will be happy."She lifted her head and looked into his face. She wiped away one of his tears with one finger. "I am not asking anything in return," she said. "I just want to give you something, Adam. A free gift. My love. Not a burden, but a gift. To take with you when you go, even though we will never see each other again."He framed her face with his hands and gazed down into it. "I so very nearly did not recognize you," he said. "You were so wretchedly thin, Fleur, and pale. Your lips were dry and cracked, your hair dull and lifeless. But I did know you for all that. I think I would still be in London searching for you if you had not gone to that agency. But it's too late, love. Six years too late.”

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“She remained silent. There was nothing left to say. He'd said it all the night before. He had to end it. He could never leave his wife. And, in fact, she had known this. Although she loved him - and truly she did - he wasn't hers. He belonged to his wife. She'd earned him. It didn't matter that he was her first love or that she was his passion. It didn't matter that they had loved one another for more than half their lives. It didn't matter that he had married his wife on the rebound. It didn't matter that he didn't love the woman. It didn't even matter that they had turned into some soap-opera cliche. He was married to someone else and that meant that she was leftovers and destined to remain on the periphery in the shadow of another woman's marriage. But no more. She was well and truly sick of it. ”

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“Generally, a mood will run its course in an inteligent man; if a woman doesn't puncture it prematurely, the man will puncture it himself. He will regain his senses somewhere along the way; he will say, "Now wait, we had better think about this." That is, if his wife hasn't said five minutes before, "Now, dear, don't you think we had better think about this?" Because then he won't, of course.If a woman is needling, it is doubly hard for a man to come out of a mood. That intensifies it. A man is really in a kind of travail when he is in a mood. He needs help, not needling, but feminine help. He probably won't thank you for it, but inside he will be awfully grateful. When a woman has to deal with a man in a mood, she generally does the wrong thing. She generally gets her animus out, that nasty thing, and says, "Now, look, this is utter nonsense, stop it. We don't need any more fishline leader."That is just throwing gasoline on the fire. There will be an anima-animus exchange, and all will be lost. The two are in the right hand and in the left hand of the goddess Maya, and you might as well give up for the afternoon.There is, however, a point of genius that a woman can bring forth if she is capable of it and willing to do it. If she will become more feminine than the mood attacking the man , she can dispel it for him. But this is a very, very difficult thing for a woman to do. Her automatic response is to let out the sword of the animus and start hacking away. But if a woman can be patient with a man and not critical, but represent for him a true feminine quality, then, as soon as his sanity is sufficiently back for him to comprehend such subtleties, he will likely come out of his mood. A wife can help a great deal if she will function from her feminine side in this way. She has to have a mature feminity to do this, a femininity that is strong enough to stand in the face of this spurious femininity the man is producing.”

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