“Sometimes I feel she hasn't left...especially when I wear the photo charm necklace with her picture in it. I can't tell you how many young men have stared into that picture and the reaction is always the same: a slow beam rises across their faces and they want to know all about her. They become entranced the way Dana Andrews did when he first saw Gene Tierney's portrait in "Laura." I know Maria finds all of this quite amusing; why shouldn't she? 'Laura' is her middle name.”

“I know about love. I know about wanting and dreaming and wishing with every piece of your soul. I know enough to recognize the parts that are real and the parts that are only fantasy.' ... 'Like when she cries and my heart tears into little shreds and all I can think about is making her forget the source of her saddness.' ... 'Thats real.' ... 'And fantisy?' 'Believing she might ever feel the same way.' ... 'Why didn't you tell her? The girl you love. Why didn't you tell her how you feel?' ... 'Because,' ... 'she doesn't want to know.”

“It's different up here, you know.""I know," said Laura miserably. "I was -- enjoying myself, that's all."Nick watched her for a moment. "Don't look so tragic about it, Laura. It's not a crime to enjoy yourself, you know.""Yes, it is," muttered Laura, feeling as if she were in some biblical parable, the one where the Lord wreaks vengeance on the stupid girl who is a foolish wanton by removing the last shred of common sense in her brain.”

“I understand why Laura did what she did. I think I'm supposed to be mad at her, but I'm not. I admire her courage. She saw what the world had to offer and said, No thank you. She saw the lies and hypocrisy and violence and hate and meaningless of it all and she chose another path. She won't live to see her grandchildren, but also won't live to see them suffer.”

“Still, he's Emory. He doesn't have to walk her home, especially considering how snitty she was to him. He didn't have to come in and stop her cruelty to Fay, or watch over her as he has evidently been continuing to do, drawing those pictures on the Reeses' sidewalk. She knew the pictures were for her and her children. She and Emory did not always spell things out, but she knew, when he drew pictures, what they meant.”

“It was not miserable - often I did not miss her at all. But there was sometimes a quick, sinking ache when I walked in the door and saw she was not there. Twice, however, I'd felt the same sinking feeling when she was. ”