“Short fiction seems more targeted - hand grenades of ideas, if you will. When they work, they hit, they explode, and you never forget them. Long fiction feels more like atmosphere: it's a lot smokier and less defined.”

“Maggot twitch, some people called it. If you’d seen much of the war, you had it. Some more. Some less. But everybody had it.”

“The more I write stories for young people, and the more young readers I meet, the more I'm struck by how much kids long to see themselves in stories. To see their identities and perspectives—their avatars—on the page. Not as issues to be addressed or as icons for social commentary, but simply as people who get to do cool things in amazing worlds. Yes, all the “issue” books are great and have a place in literature, but it's a different and wildly joyous gift to find yourself on the pages of an entertainment, experiencing the thrills and chills of a world more adventurous than our own.And when you see that as a writer, you quickly realize that you don't want to be the jerk who says to a young reader, “Sorry, kid. You don't get to exist in story; you're too different.” You don't want to be part of our present dystopia that tells kids that if they just stopped being who they are they could have a story written about them, too. That's the role of the bad guy in the dystopian stories, right? Given a choice, I'd rather be the storyteller who says every kid can have a chance to star.”

“Mahlia just waited. She was good at that. When you were a castoff, it didn’t do any good trying to talk to people, but sometimes, if you just kind of waited them out, people would get uncomfortable and feel like they had to do something.”

“Lock it away,” the half-man whispered. “You feel, after. Not now. Now you are a soldier. Now you do your duty for your pack. If you break, your Mouse will die, and you with him. Feel, after. Not now.”

“You call me castoff,” Mahlia said, “Chinese throwaway, whatever.” Amaya was trying to look away, but Mahlia had her pinned, kept her eye to eye. “My old man might have been peacekeeper, but my mom was pure Drowned Cities. You want to war like that, I’m all in.” Mahlia lifted the scarred stump of her right hand, shoved it up in Amaya’s face. “Maybe I cut you the way the Army of God cut me. See how you do with just a lucky left. How’d you like that?”

“Anderson takes a shuddering breath, forcing away the memories. She is the opposite of the invasive plagues he fights every day. A hothouse flower, dropped into a world too harsh for her delicate heritage. It seems unlikely that she will survive for long. Not in this climate. Not with these people. Perhaps it was that vulnerability that moved him, her pretended strength when she had nothing at all.”