“With photography Alice liked the actions more than the results. She liked opening the back of the camera and unrolling the new film a couple of inches, just enough to catch it in the runner, and thinking that this empty film would soon become something and not knowing what, taking the first few snaps into the void, aiming, focusing, checking her balance, deciding whether to include or exclude pieces of reality as she saw fit, enlarging, distorting.”

“Alice watched and listened and focused beyond the words the actress spoke. She saw her eyes become desperate, searching, pleading for truth. She saw them land softly and gratefully on it. Her voice felt at first tentative and scared. Slowly, and without getting louder, it grew more confident and then joyful, playing sometimes like a song. Her eyebrows and shoulders and hands softened and opened, asking for acceptance and offering forgiveness. Her voice and body created an energy that filled Alice and moved her to tears. She squeezed the beautiful baby in her lap and kissed his sweet-smelling head.The actress stopped and came back into herself. She looked at Alice and waited.“Okay, what do you feel?”“I feel love. It’s about love.”

“For one never makes a film out of nothing. To shoot a film is always to shoot something, be it fiction or reality, and the more shaky the reality, the more solid the fiction must be.”

“Tuon's eyes snapped open, and despite the dim light, she focused directly on Mat. She saw the knife in his hand, ready to throw.Then she looked over her shoulder.”

“Yeah. She wants him back and has decided I'm in her way. But I have news for that little sleep-terrorist--it's going to take more than a couple of bad dreams to scare me off, so I hope she has something bigger up her sleeve.”

“If you think about something for long enough,' she explained, `more than likely, that thing will happen.' She tapped her head. `It's all in the mind.”