“The confessional writer will treat her story like a wailing wall. She kneels, and her story spills out, messy, improper. It isn’t a protest or even graffiti, but her story is an offering of things that she overlooked or notices that others have overlooked. She is in danger of exposure but she remembers when she lived in hiding and that was worse. She cannot turn back now because this is how life has spun out of her, part vexing passage and part prayer.”

“Mandy's friends gathered around her as she told the story-the true and somewhat heartbreaking story of her first time. It hadn't been perfect, but she now knew that imperfection was okay-part of life, even. And for the first time in her life, Mandy Walters was realizing that she could live with imperfection.”

“It was her work of art, her poem and her prayer, to repeat this story, low and precipitately, as if she were in the confessional. You felt that she came to it quite naturally, without transition, so completely did it posses her whenever they were alone.”

“There are things I need to ask her. Not what happened, back then in the time I lost, because now I know that. I need to ask her why. If she remembers. Perhaps she’s forgotten the bad things, what she said to me, what she did. Or she does remember them, but in a minor way, as if remembering a game, or a single prank, a single trivial secret, of the kind girls tell and then forget. She will have her own version. I am not the centre of her story, because she herself is that. But I could give her something you can never have, except from another person: what you look like from outside. A reflection. This is part of herself I could give back to her. We are like the twins in old fables, each of whom has been given half a key.”

“She didn’t look back. I remember that more than anything else. She didn’t look back. I wanted to mean more to her than that. I wanted her to turn, because I was sure she’d change her mind. And perhaps she would have, and that’s why she didn’t.From the story 'Rain Dancing”

“She does not reply. She would rather hide her face, and he knows why. Because of the disgrace. Because of the shame. That is what their visitors have achieved; that is what they have done to this confidant, modern young woman. Like a stain the story is spreading across the district. Not her story to spread but theirs: they are its owners. How they put her in her place, how they showed her what a woman was for.”