“The dusky and faintly sweet smell of her perfume came to Therese again, a smell suggestive of dark green silk, that was hers alone, like the smell of a special flower.”
In this quote from Patricia Highsmith's novel The Price of Salt, the protagonist, Therese, recalls the unique scent of her love interest, Carol. The description of the perfume as "dusky and faintly sweet" suggests a mysterious and intoxicating quality. The mention of dark green silk evokes a sense of luxury and sophistication, highlighting the allure and exclusivity of Carol's perfumed scent. The comparison to a "special flower" further emphasizes the rarity and enchantment of Carol's essence, highlighting the depth of Therese's attraction to her.
In Patricia Highsmith's novel Carol, the description of perfume evokes a sense of intimacy and personal identity. In today's society, the use of scent continues to play a significant role in how individuals express themselves and leave a lasting impression on others. Just as Therese's unique perfume signifies her individuality and personal essence, the choice of scent can also serve as a form of self-expression in modern times. Perfume has evolved to become not just a cosmetic product, but a way for individuals to create a sensory experience that encapsulates their personality and style.
The dusky and faintly sweet scent of perfume can be seen as both a reflection of one's personal taste and a means of making a memorable impression on others. Just as in Carol, where the protagonist's perfume has a unique and unmistakable scent, individuals today can choose from a wide range of perfumes to find one that speaks to their individual identity. From choosing a signature scent to experimenting with different fragrances for different occasions, the sense of smell continues to hold significance in how we engage with and perceive the world around us.
"The dusky and faintly sweet smell of her perfume came to Therese again, a smell suggestive of dark green silk, that was hers alone, like the smell of a special flower.” - Patricia Highsmith"
As you think about the quote from Patricia Highsmith, consider the following reflection questions:
“Their eyes met at the same instant moment, Therese glancing up from a box she was opening, and the woman just turning her head so she looked directly at Therese. She was tall and fair, her long figure graceful in the loose fur coat that she held open with a hand on her waist, her eyes were grey, colorless, yet dominant as light or fire, and, caught by them, Therese could not look away. She heard the customer in front of her repeat a question, and Therese stood there, mute. The woman was looking at Therese, too, with a preoccupied expression, as if half her mind were on whatever is was she meant to buy here, and though there were a number of salesgirls between them, There felt sure the woman would come to her, Then, Then Therese saw her walk slowly towards the counter, heard her heart stumble to catch up with the moment it had let pass, and felt her face grow hot as the woman came nearer and nearer.”
“Then Carol slipped her arm under her neck, and all the length of their bodies touched fitting as if something had prearranged it. Happiness was like a green vine spreading through her, stretching fine tendrils, bearing flowers through her flesh. She had a vision of a pale white flower, shimmering as if seen in darkness, or through water. Why did people talk of heaven, she wondered”
“Therese was propped up on one elbow. The milk was so hot, she could barely let her lip touch it at first. The tiny sips spread inside her mouth and released a melange of organic flavors. The milk seemed to taste of bone and blood, of warm flesh, or hair, saltless as chalk yet alive as a growing embryo. It was hot through and through to the bottom of the cup, and Therese drank it down, as people in fairy tales drink the potion that will transform, or the unsuspecting warrior the cup that will kill, Then Carol came and took the cup, and Therese was drowsily aware that Carol asked her three questions, on that had to do with happiness, one about the store and one about the future. Therese heard herself answering. She heard her voice rise suddenly in a babble, like a spring that she had no control over, and she realized she was in tears. She was telling Carol all that she feared and disliked, of her loneliness, of Richard, and of gigantic disappointments.”
“Once the back of their hands brushed on the table, and Therese's skin there felt seperately alive and rather burning. There could not understand it, but it was so. Therese glanced at her face that was somewhat turned away, and again she knew that instant of half-recognition. And knew, too, that it was not to be believed. She had never seen the woman before. If she had, could she had forgotten?”
“-¿Hay algo más aburrido que la historia del pasado? -dijo Therese sonriendo.-Quizá un futuro sin historia.”
“But there was not a moment when she did not see Carol in her mind, and all she saw, she seemed to see through Carol. That evening, the dark flat streets of New York, the tomorrow of work, the milk bottle dropped and broken in her sink, became unimportant. She flung herself on her bed and drew a line with a pencil on a piece of paper. And another line, carefully, and another. A world was born around her, like a bright forest with a million shimmering leaves.”