“Girls are small and polite and smiley. They wear dresses and their hair is long and it’s pulled into shapes behind their heads or on either side.”

“We run down the right fork, Manchee at our heels, the night and a dusty road stretching out in front of us, an army and a disaster behind us, me and Viola, running side by side.”

“I don’t know what’s ahead,” I say. “I don’t know nothing about nothing but whatever it is, it’s gotta be better than what’s behind. It’s gotta be.”

“Conor's grandma wasn't like other grandmas. He'd met Lily's grandma loads of times, and she was how grandmas were supposed to be: crinkly and smiley, with white hair and the whole lot. She cooked meals where she made three separate eternally boiled vegetable portions for everybody and would giggle in the corner at Christmas with a small glass of sherry and a paper crown on her head.Conor's grandma wore tailored trouser suits, dyed her hair to keep out the grey, and said things that made no sense at all, like "Sixty is the new fifty" or "Classic cars need the most expensive polish." What did that even mean? She emailed birthday cards, would argue with waiters over wine, and still had a job. Her house was even worse, filled with expensive old things you could never touch, like a clock she wouldn't even let the cleaning lady dust. Which was another thing. What kind of grandma had a cleaning lady?”

“And I put my hand on her arm to stop her rowing.Aaron’s Noise roars up in red and black.The current takes us on.“I’m sorry!” I cry as the river takes us away, my words ragged things torn from me, my chest pulled so tight I can’t barely breathe. “I’m sorry, Manchee!”“Todd?” he barks, confused and scared and watching me leave him behind. “Todd?”“Manchee!” I scream.Aaron brings his free hand towards my dog.“MANCHEE!”“Todd?”And Aaron wrenches his arms and there’s a CRACK and a scream and a cut-off yelp that tears my heart in two forever and forever.And the pain is too much it’s too much it’s too much and my hands are on my head and I’m rearing back and my mouth is open in a never-ending wordless wail of all the blackness that’s inside of me.”

“Her accent's funny, different from mine, different from anyone in Prentisstown's. Her lips make different kinds of outlines for the letters, like they're swooping down on them from above, pushing them into shape, telling them what to say. In Prentisstown, everyone talks like they're sneaking up on their words, ready to club them from behind.”

“Spackle!” Manchee barks, tho he’s too chicken to attack now that I’ve held back. “Spackle! Spackle! Spackle!”“Shut up, Manchee,” I say.“Spackle!”“I said shut up!” I shout, which stops him.“Spackle?” Manchee says, unsure of things now.I swallow, trying to get rid of the pressure in my throat, the unbelieveable sadness that comes and comes as I look at it looking back at me. Knowledge is dangerous and men lie and the world keeps changing, whether I want it to or not.Cuz, it ain’t a Spackle.“It’s a girl,” I say.It’s a girl.”