“Oh well,' said Jack: and then, 'Did you ever meet Bach?''Which Bach?''London Bach.''Not I.''I did. He wrote some pieces for my uncle Fisher, and his young man copied them out fair. But they were lost years and years ago, so last time I was in town I went to see whether I could find the originals: the young man has set up on his own, having inherited his master's music-library. We searched through the papers — such a disorder you would hardly credit, and I had always supposed publishers were as neat as bees — we searched for hours, and no uncle's pieces did we find. But the whole point is this: Bach had a father.''Heavens, Jack, what things you tell me. Yet upon recollection I seem to have known other men in much the same case.''And this father, this old Bach, you understand me, had written piles and piles of musical scores in the pantry.''A whimsical place to compose in, perhaps; but then birds sing in trees, do they not? Why not antediluvian Germans in a pantry?''I mean the piles were kept in the pantry. Mice and blackbeetles and cook-maids had played Old Harry with some cantatas and a vast great passion according to St Mark, in High Dutch; but lower down all was well, and I brought away several pieces, 'cello for you, fiddle for me, and some for both together. It is strange stuff, fugues and suites of the last age, crabbed and knotted sometimes and not at all in the modern taste, but I do assure you, Stephen, there is meat in it. I have tried this partita in C a good many times, and the argument goes so deep, so close and deep, that I scarcely follow it yet, let alone make it sing. How I should love to hear it played really well — to hear Viotti dashing away.”

“Were you ever in Elsinore, Mr Jagiello?’ asked Jack.Oh, many a time, sir,’ said Jagiello. ‘I know it well. I believe I could show you Hamlet’s grave from here.’I was really wondering whether they had ten or thirteen inch mortars on the upper terrace,’ said Jack, ‘but I should be very happy to see Hamlet’s grave as well.’Both ten and thirteen, sir. And if you go a little to the right from the farthest turret, there are some trees: and among those trees there is the grave. You can just make out the rocks.’So there he lies,’ said jack, his telescope leveled. ‘Well, well: we must all come to it. But it was a capital piece, capital. I never laughed so much in my life.’A capital piece indeed,’ said Stephen, ‘and I doubt I could have done much better myself. But, do you know, I have never in my own mind classed it among the comedies. Pray did you read it recently?’I never read it at all,’ said Jack. ‘That is to say, not right through. No: I did something better than that—I acted in it. There, the upper terrace fires. I was a midshipman at the time.”

“Jobs had begun to drop acid by then, and he turned Brennan on to it as well, in a wheat field just outside Sunnyvale. "It was great," he recalled. "I had been listening to a lot of Bach. All of a sudden the whole field was playing Bach. It was the most wonderful feeling of my life up to that point. I felt like the conductor of this symphony with Bach coming through the wheat.”

“Bach's music confront the player and the audience in a very alone way, and I try at that moment to put away pretensions-in levels of violin playing, pretensions of being a strong man, of being invulnerable- and instead say, 'this is where all of us us have common ground'. of the time we try to tell ourselves 'I'm confident' or 'I'm doing well'. But then, in a moment alone at home, you feel how close you are to some kind of abyss”

“It is a curious thing that at my age — fifty-five last birthday — I should find myself taking up a pen to try to write a history. I wonder what sort of a history it will be when I have finished it, if ever I come to the end of the trip! I have done a good many things in my life, which seems a long one to me, owing to my having begun work so young, perhaps. At an age when other boys are at school I was earning my living as a trader in the old Colony. I have been trading, hunting, fighting, or mining ever since. And yet it is only eight months ago that I made my pile. It is a big pile now that I have got it — I don't yet know how big — but I do not think I would go through the last fifteen or sixteen months again for it; no, not if I knew that I should come out safe at the end, pile and all. But then I am a timid man, and dislike violence; moreover, I am almost sick of adventure. I wonder why I am going to write this book: it is not in my line. I am not a literary man, though very devoted to the Old Testament and also to the "Ingoldsby Legends." Let me try to set down my reasons, just to see if I have any.”

“I am always hearing. . . the sound of a far off song. I do not exactly know where it is, or what it means; and I don't hear much of it, only the odour of its music, as it were, flitting across the great billows of the ocean outside this air in which I make such a storm; but what I do hear, is quite enough to make me able to bear the cry from the drowning ship. So it would you if you could hear it.''No it wouldn't,' returned Diamond stoutly. 'For they wouldn't hear the music of the far-away song; and if they did, it wouldn't do them any good. You see you and I are not going to be drowned, and so we might enjoy it.''But you have never heard the psalm, and you don't know what it is like. Somehow, I can't say how, it tells me that all is right; that it is coming to swallow up all the cries. . . . It wouldn't be the song it seems if it did not swallow up all their fear and pain too, and set them singing it themselves with all the rest.”