“They played, not beautifully but deep, ignoring their often discordant strings and striking right into the heart of the music they knew best, the true notes acting as their milestones. On the poop above their heads, where the weary helmsmen tended the new steering-oar and Babbington stood at the con, the men listened intently; it was the first sound of human life that they had heard, apart from the brief Christmas merriment, for a time they could scarcely measure.”

“Jack was led out of the dark room into the strong light, and as they guided him up the steps he could see nothing for the glare. 'Your head here sir, if you please,' said the sheriff's man in a low, nervous, conciliating voice, 'and your hands just here.'    The man was slowly fumbling with the bolt, hinge and staple, and as Jack stood there with his hands in the lower half-rounds, his sight cleared: he saw that the broad street was filled with silent, attentive men, some in long togs, some in shore-going rig, some in plain frocks, but all perfectly recognizable as seamen. And officers, by the dozen, by the score: midshipmen and officers. Babbington was there, immediately in front of the pillory, facing him with his hat off, and Pullings, Stephen of course, Mowett, Dundas . . . He nodded to them, with almost no change in his iron expression, and his eye moved on: Parker, Rowan, Williamson, Hervey . . . and men from long, long ago, men he could scarcely name, lieutenants and commanders putting their promotion at risk, midshipmen and master's mates their commissions, warrant-officers their advancement.    'The head a trifle forward, if you please, sir,' murmured the sheriff's man, and the upper half of the wooden frame came down, imprisoning his defenceless face. He heard the click of the bolt and then in the dead silence a strong voice cry 'Off hats'. With one movement hundreds of broad-brimmed tarpaulin-covered hats flew off and the cheering began, the fierce full-throated cheering he had so often heard in battle.”

“They were furious. Did he not know he might catch cold? Why did he not answer their hail? It was no good his telling them he had not heard; they knew better; he had not got flannel ears--Why had he not waited for them? --What was a boat for? Was this a proper time to go a-swimmin? -- Did he think this was midsummer? Or Lammas? -- He was to see how cold he was, blue an trembling like a fucking jelly -- Would a new-joined ships boy have done such a wicked thing? No, sir, he would not. -- What would the skipper, what would Mr Pullings and Mr Babbington say, when they heard of his capers? -- As God loved them, they had never seen anything so foolish: he might strike them blind, else. -- Where had he left his intellectuals? Aboard the sloop? They dried him with handkerchiefs., dressed him by force, and rowed him quickly back to the Polychrest. He was to go below directly, turn in between blankets--no sheets, mind--with a pint of grog and have a good sweat. he was to go up the side now, like a Christian and nobody would notice. Plaice and Lakey were perhaps the strongest men in the ship, with arms like gorillas; they thrust him aboard and hurried him to his cabin without so much as by your leave, and left him there in the charge of his servant, with recommenations for his present care.”

“The words 'Very finely played, sir, I believe' were formed in his gullet if not in his mouth when he caught the cold and indeed inimical look and heard the whisper, 'If you really must beat the measure, sir, let me entreat you to do so in time, and not half a beat ahead.”

“Oh well,' said Jack: and then, 'Did you ever meet Bach?''Which Bach?''London Bach.''Not I.''I did. He wrote some pieces for my uncle Fisher, and his young man copied them out fair. But they were lost years and years ago, so last time I was in town I went to see whether I could find the originals: the young man has set up on his own, having inherited his master's music-library. We searched through the papers — such a disorder you would hardly credit, and I had always supposed publishers were as neat as bees — we searched for hours, and no uncle's pieces did we find. But the whole point is this: Bach had a father.''Heavens, Jack, what things you tell me. Yet upon recollection I seem to have known other men in much the same case.''And this father, this old Bach, you understand me, had written piles and piles of musical scores in the pantry.''A whimsical place to compose in, perhaps; but then birds sing in trees, do they not? Why not antediluvian Germans in a pantry?''I mean the piles were kept in the pantry. Mice and blackbeetles and cook-maids had played Old Harry with some cantatas and a vast great passion according to St Mark, in High Dutch; but lower down all was well, and I brought away several pieces, 'cello for you, fiddle for me, and some for both together. It is strange stuff, fugues and suites of the last age, crabbed and knotted sometimes and not at all in the modern taste, but I do assure you, Stephen, there is meat in it. I have tried this partita in C a good many times, and the argument goes so deep, so close and deep, that I scarcely follow it yet, let alone make it sing. How I should love to hear it played really well — to hear Viotti dashing away.”

“Stephen had been put to sleep in his usual room, far from children and noise, away in that corner of the house which looked down to the orchard and the bowling-green, and in spite of his long absence it was so familiar to him that when he woke at about three he made his way to the window almost as quickly as if dawn had already broken, opened it and walked out onto the balcony. The moon had set: there was barely a star to be seen. The still air was delightfully fresh with falling dew, and a late nightingale, in an indifferent voice, was uttering a routine jug-jug far down in Jack's plantations; closer at hand and more agreeable by far, nightjars churred in the orchard, two of them, or perhaps three, the sound rising and falling, intertwining so that the source could not be made out for sure. There were few birds that he preferred to nightjars, but it was not they that had brought him out of bed: he stood leaning on the balcony rail and presently Jack Aubrey, in a summer-house by the bowling-green, began again, playing very gently in the darkness, improvising wholly for himself, dreaming away on his violin with a mastery that Stephen had never heard equalled, though they had played together for years and years.Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away.Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate.'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world.”

“She then recovered her wits and averting her eyes from the wreck of her house she shook Babbington's hand, embraced Stephen tenderly, greeted all the officers, young gentlemen and seamen she knew, and said she would not get in their way - would go and sort her baggage and draw breath in one of the loose-boxes: there was nothing she preferred to a really commodious loose-box.”